Arkady reached a suburb of fitness clubs, espresso bars, tanning salons. The dachas here were not traditional cabins with weepy roofs and ramshackle gardens but prefabricated mansions with Greek columns and swimming pools and security cameras. Where the road narrowed to a country lane, Ivanov’s security guards waved him to the shoulder behind a line of hulking SUVs. Arkady had on the same shabby raincoat, and Zhenya looked like a hostage, but the guards found their names on a list. So as infiltrators, Arkady and Zhenya went through an iron gate to a dead man’s lawn party.
The theme was Outer Space. Pink ponies and blue llamas carried small children around a ring. A juggler juggled moons. A magician twisted balloons into Martian dogs. Artists decorated children’s faces with sparkle and paint, while a Venusian, elongated by his planet’s weak gravity, strode by on stilts. Toddlers played under an inflated spaceman tethered to the ground by ropes, and larger children lined up for tennis and badminton or low-gravity swings on bungee cables. The guest list was spectacular: broad-shouldered Olympic swimmers, film stars with carefully disarranged hair, television actors with dazzling teeth, rock musicians behind dark glasses, famous writers with wine-sack bellies overhanging their jeans. Arkady’s own heart skipped a beat when he recognized former cosmonauts, heroes of his youth, obviously hired for the day just for show. Yet the dominating spirit was Pasha Ivanov. A photograph was set near the entrance gate and hung with a meadow garland of sweet peas and daisies. It was of a buoyant Ivanov mugging between two circus clowns, and it as good as gave his guests orders to play, not grieve. The photograph couldn’t have been taken too long before his death, but its subject was so much more impish and alive than the recent man that it served as a warning to enjoy life’s every moment. The guards at the gate must have phoned ahead, because Arkady felt a ripple of attention follow his progress through the partygoers, and the repositioning of men with wires in their ears. Children sticky from cotton candy raced back and forth. Men collected at grills that served shashlik of sturgeon and beef in front of Ivanov’s dacha, ten times the normal size but at least a Russian design, not a hijacked Parthenon. A DJ played Russian bubble gum on one stage, while karaoke ruled a second. Separate bars served champagne, Johnnie Walker, Courvoisier. The wives were tall, slim women in Italian fashions and cowboy boots of alligator and ostrich. They positioned themselves at tables where they could watch both their children and their husbands and anxiously track a younger generation of even taller, slimmer women filtering through the crowd. Timofeyev was in a food line with Prosecutor Zurin, who expectantly scanned the crowd like a periscope. It was not a positive sign that he looked everywhere but at Arkady. Timofeyev appeared pale and sweaty for a man about to inherit the reins of the entire NoviRus company. Farther on, Bobby Hoffman, already yesterday’s American, stood alone and nibbled a plate overheaped with food. An outdoor casino had been set up, and even from a distance Arkady recognized Nikolai Kuzmitch and Leonid Maximov. They were youngish men in modest jeans, no Mafia black, no ostentatious gold. The croupiers appeared real, and so did the chips, but Kuzmitch and Maximov hunched over the baize like boys at play.
Arkady had to admit that what often distinguished New Russians was youth and brains. An unusual number of them had been the protégés and darlings of prestigious academies that had gone suddenly bankrupt, and rather than starve among the ruins, they rebuilt the world with themselves as millionaires, each a biography of genius and pluck. They saw themselves as the robber barons of the American Wild West, and didn’t someone say that every great fortune started with a crime? Russia already had over thirty billionaires, more
Learning to Kill: Stories