looks as though she will, and I ready myself to cheer the timid teacher on. But then her shoulders sag and she looks away.
“Let’s get on with our lessons,” she says meekly. “I’ll finish up with the others, then take you and Salit for a couple of hours. Now, where were we...?”
“Someone should give it to her good,” Bill-E storms when class has finished. “Bo freakin’ Kooniart! Davida should put that little monster over her knee and spank her till her hand turns blue!”
“I agree,” I say grimly, “but it’s not going to happen. She’s a star. She can get away with crap like that. To be honest, I thought they’d all be like her. I’m surprised how normal most of the others are.”
“Too bad the demons aren’t real,” Bill-E grumbles. “We could feed Bo to them, and her horrible little brother. Vanalee too.”
“It would certainly make life easier,” I agree. “But they’re not real. There’s nothing we can do except ignore her. Come on.” I slap his back. “Let’s go see what Emmet looks like in his makeup.”
Emmet’s covered in fake blood. He’s spitting it out and wiping it from his eyes. “The bag exploded early,” he moans. “You squeezed too hard,” a props person says, sliding a hand up inside Emmet’s sweater, removing an empty plastic bag which had been filled with the red, sticky liquid. “You have to be more gentle. Don’t worry — you’ll get the hang of it soon.”
Emmet goes off to be cleaned, before trying on a fresh costume and having his makeup applied again. Rather him than me. Sometimes an actor can spend most of the day sitting in a chair, having makeup dabbed on, cleaned off, dabbed on, cleaned off, dabbed...
Bill-E and I go for a swim, then head for dinner. We spot Dervish dining with Davida and Juni, but they’re talking shop, so we don’t disturb them. After that we check on Emmet again. This time he’s managed not to burst the bag of blood and is ready to face the cameras.
“She’s been trying to unsettle me all week,” he says about Bo. “She thinks Abe should have had this part. Her dad does too. He told my mom I was an amateur and shouldn’t be here.”
“Charming!” Bill-E huffs.
“Mom hit the roof,” Emmet chuckles. “Told Tump Kooniart what she thought of him and to keep out of our way for the rest of the shoot. She complained to Davida, but he’s an agent for several of the actors, so there’s not much Davida can do. In an argument, if it’s us or him, she has to take his side. I could be replaced easily, but if Tump walked off and told his gang to follow...”
“Never mind,” Bill-E says encouragingly. “There’s nothing they can do about it now. This is your scene. Go out there, strut your funky stuff, and leave Tump Kooniart and his brats to stew.”
Emmet laughs, then asks if he can run through his lines with us. This time we let him, and say nothing as he makes his customary mistake and grinds to a miserable halt. Then, before he can practice again, his call comes and we have to leave.
Showtime!
This is the first big action shot of the movie, so a large crowd of curious bystanders has gathered. Thanks to modern technology, scenes with monsters aren’t normally interesting to watch being filmed. More often than not, actors will play out their part against a blue screen background. The monster effects are added later, using computers.
But Davida wants the demons to look as lifelike as possible, for the action to play realistically. That means taking a less flashy approach than in her other movies, keeping it gritty and believable, using almost no computer effects.
Bill-E and I find a good place to watch, next to Dervish and Juni. The scene’s being filmed on one of the smaller, darker alleys of Slawter. There’s a manhole on the left side of the street, from which the cover has been removed. The demon will spring out of the manhole, grab Emmet, and drag him underground.
“This is going to be fun,”
Rebecca Hamilton, Conner Kressley