delight it gives me, this name among all those others. What is it that excites me almost to tears (hot, opalescent, thick tears that poets and lovers shed)? What is it? The tender anonymity of this name with its formal veil (“Dolores”) and that abstract transposition of first name and surname, which is like a pair of new pale gloves or a mask? Is “mask” the keyword? Is it because there is always delight in the semitranslucent mystery, the flowing charshaf, through which the flesh and the eye you alone are elected to know smile in passing at you alone? Or is it because I can imagine so well the rest of the colorful classroom around my dolorous and hazy darling: Grace and her ripe pimples; Ginny and her lagging leg; Gordon, the haggard masturbator; Duncan, the foul-smelling clown; nail-biting Agnes; Viola, of the blackheads and the bouncing bust; pretty Rosaline; dark Mary Rose; adorable Stella, who has let strangers touch her; Ralph, who bullies and steals; Irving, for whom I am sorry. And there she is there, lost in the middle, gnawing a pencil, detested by teachers, all the boys’ eyes on her hair and neck,
my
Lolita.
Friday.
I long for some terrific disaster. Earthquake. Spectacular explosion. Her mother is messily but instantly and permanently eliminated, along with everybody else for miles around. Lolita whimpers in my arms. A free man, I enjoy her among the ruins. Her surprise, my explanations, demonstrations, ullulations. Idle and idiotic fancies! A brave Humbert would have played with her most disgustingly (yesterday, for instance, when she was again in my room to show me her drawings, school-artware); he might have bribed her—and got away with it. A simpler and more practical fellow would have soberly stuck to various commercial substitutes—if you know where to go, I don’t. Despite my manly looks, I am horribly timid. My romantic soul gets all clammy and shivery at the thought of running into some awful indecent unpleasantness. Those ribald sea monsters.
“Mais allez-y, allez-y!”
Annabel skipping on one foot to get into her shorts, I seasick with rage, trying to screen her.
Same date, later, quite late. I have turned on the light to take down a dream. It had an evident antecedent. Haze at dinner had benevolently proclaimed that since the weather bureau promised a sunny weekend we would go to the lake Sunday after church. As I lay in bed, erotically musing before trying to go to sleep, I thought of a final scheme how to profit by the picnic to come. I was aware that mother Haze hated my darling for her being sweet on me. So I planned my lake day with a view to satisfying the mother. To her alone would I talk; but at some appropriate moment I would say I had left my wrist watch or my sunglasses in that glade yonder—and plunge with my nymphet into the wood. Reality at this juncture withdrew, and the Quest for the Glasses turned into a quiet little orgy with a singularly knowing, cheerful, corrupt and compliant Lolita behaving as reason knew she could not possibly behave. At 3 A.M . I swallowed a sleeping pill, and presently, a dream that was not a sequel but a parody revealed to me, with a kind of meaningful clarity, the lake I had never yet visited: it was glazed over with a sheet of emerald ice, and a pockmarked Eskimo was trying in vain to break it with a pickaxe, although imported mimosas and oleanders flowered on its gravelly banks. I am sure Dr. Blanche Schwarzmann would have paid me a sack of schillings for adding such a libidream to her files. Unfortunately, the rest of it was frankly eclectic. Big Haze and little Haze rode on horseback around the lake, and I rode too, dutifully bobbing up and down, bowlegs astraddle although there was no horse between them, only elastic air—one of those little omissions due to the absent-mindedness of the dream agent.
Saturday.
My heart is still thumping. I still squirm and emit low moans of remembered embarrassment.
Dorsal view. Glimpse of shiny skin
The Cowboy's Surprise Bride