Free Pow! by Mo Yan Page A

patches of rosy sky, tinged by gold in the west as the fire clouds of sunset burn their way past. The bats that make their home in the temple wheel in the outside air and sparkle like gold beans. The woman's face lights up gloriously. Her oversized jacket, made of homespun cotton, has a row of brass buttons down the front. She bends over to lay down the laundry-filled basin; it wobbles in the shallow water. She then wades leisurely round the yard, the water covering her calves. The hem of her robe held up in her hands reveals tanned thighs and white buttocks. Imagine my surprise to note that she is wearing nothing underneath! That is to say, if she takes off her robe she'll be standing there naked. The large robe must be the Wise Monk's. I know the details of his personal belongings like the back of my hand but I've never seen that particular robe. Where did she find it? I think back to a moment before, when she passed by me, and recall a musty smell, one that now permeates the air in the courtyard. She strolls aimlessly for a moment before heading to a corner of the wall, urgently, where she makes loud splashing noises; that fish leaps out of the water again behind her, then falls back. She is holding the hem of her robe higher than ever, in order to keep it dry, exposing her buttocks. When she reaches the wall, she grips the hem of her robe even higher with her left hand, bends over and, with her right hand, digs out the twigs and grass that clog up the drain and flings them over the wall. Her buttocks, like brass cymbals, proudly greet the fire clouds in the western sky. Now that the drain is unclogged, she stands up and moves to the side to watch the water flow towards her, carrying twigs and the little plastic horse. The laundry-filled brass basin moves a few feet before settling on the ground. The body of the fish slowly comes into view; for a moment it is able to keep swimming, but it is quickly laid out flat and all it can do is flap about in desperation, splashing water everywhere. I think I hear its shrill screams. The cobblestone path emerges first from the water, followed by the dirt round it. A toad jumps out of the mud, the loose skin under its mouth popping in and out. Frogs set up a din of croaks in the ditch beyond the wall. The woman opens the hand holding the hem of her robe, then smoothes the wrinkles with the other hand, the wet one. The fish flaps up next to her. Though she watches it for a moment and then looks over to where we sit, it is, of course, beyond my ability to decide what she should do about that unfortunate creature. She runs a few steps, muddying her feet and nearly falling in the process but presses that recalcitrant fish to the ground with both hands, then straightens up and looks our way again. She sighs and, in the redness of the sunset, reluctantly picks up the fish and flings it away, its tail snapping back and forth as it sails over the wall and out of sight. But the glittery golden arc it traces in the air imprints itself on my mind, where it will remain for a very long time. She walks over to where the brass basin lies, picks out a shirt and smoothes the collar, then shakes it hard, sending out waves of sound. The red shirt looks like a ball of fire in the sunset. The woman's resemblance to Aunty Wild Mule has led me to sense that there is a special and extraordinarily close relationship between us. Even though I am nearing the age of twenty, when I look at that woman I feel like a boy of seven or eight; and yet, the pounding of my heart and the stirrings of that thing between my legs declare to me that I am that child no longer. She lays the shirt on top of the cast-iron incense burner directly opposite the temple entrance, and spreads the remaining clothes on top of the still-wet wall. With rapt attention I watch how nimbly, how energetically, she jumps up to smooth out each item, over and over. Finished with her work, she walks to the temple entrance, as if it were the door to