working under Charles Monroe. He'd made similar assumptions then, about a man who'd taken the lives of three bright and worldly young women without leaving a trace. He had killed again, more than once, and then disappeared, and had never been caught. Monroe had floated on to the next job, onwards and upwards. The girls' parents still took the world one day at a time. 'Question is, will there be others?'
'There may be, yes. That's what I'm saying. Unless we…'
'No. I mean have there been any before this? If this is the end, as you think, where is the beginning? What got him to here? What's this guy spiralling out from?'
'People are on it. LAPD are cross-checking as we speak.'
'And we still have no idea who she is.'
'No purse, no possessions apart from old pjs, dickhead behind the desk says he never saw her before she was dead. A photo will be prepared once they've cleaned her up a little: people will be on the street with it by the end of the afternoon. You know what that thing in her face was?'
Nina shook her head, a coppery taste in her own mouth. She had seen many dead bodies, some of them in states around which she'd had to build a wall in her head, so she didn't come upon the memory unexpectedly. But there was something about the ones where they did things to the victims' mouths. Sexual mutilation you almost took for granted. The mangling of a public part of the body, like the eyes or mouth or hands, somehow seemed a more social desecration. Sexual was private, a personal assault; public said LOOK, UNIVERSE, AT WHAT I HAVE DONE. It was outward-directed, some statement designed to change the world. Or so it seemed to her.
'A hard disk,' Monroe said. 'A small one, like in a laptop. One of the techs recognized it before it was even out of her head.'
'No prints?'
He shook his head. 'Clean. But someone in a lab is finding what else it can give us. There's a serial number, for a start. It came from somewhere, was bought somewhere. And there may be something left on it, of course. We'll know tonight.'
He caught the expression on Nina's face this time. 'He left it there for a reason, Nina. Let's get back to work.'
He stood up, thumb already dialling another number on his cell. Thunk, thunk, thunk. She wouldn't want to be Charles Monroe's phone, Nina thought. That was a job for a phone with tough abs.
She drained the rest of her coffee, aware of his eyes on her, critical. 'What, Charles?'
'How's your arm holding out?'
'Fine,' she said, irritably. He wasn't asking about her arm. He was reminding her of unfinished business and of why their professional relationship had taken its second turn for the worse. She got the message. 'Good as new.'
He looked like he was going to say something else but then got an answer on his cell, and turned and strode away, already in mid-flow. Someone was learning just what a damn fine SAC Monroe was; how in control, how just right on top of things.
As she followed him, Nina checked her own phone for something like the twentieth time. She saw there was a text message from Zandt, at last, and quickly called it up.
It said: I'M IN FLORIDA.
'Oh for fuck's sake,' she muttered, stuffed the phone back in her bag, and walked back out into the heat.
5
I checked into the Armada on Powell, in San Francisco downtown not far from Union Square. It was appealingly expensive and had a guy dressed as a Spanish soldier standing on the pavement outside. Passing tourists were taking photographs of each other with him, presumably so that back home they could tell their friends that here they were, with a guy in a costume, outside a hotel they weren't staying in. By the time I was settled it was too late to do the big thing on my agenda, so I went for a walk instead. As I walked I thought about what I knew, which boiled down to this: I had been wrong about just about everything to do with my life. I had believed I'd been born to Don and Beth Hopkins in Northern California, where they had been living