thinking, without plan or destination. Finally, he had emerged from one such corridor into what seemed to be a large cavern. The walls fell away on all sides of him. He was swallowed by empty darkness, and his bootsteps sent echoes ringing off distant walls. There were sounds in the dark—a low humming, at the threshold of hearing, and a louder sound, a liquid sound, like the ebb and flow of some endless underground ocean. But he was not underground, Haviland Tuf reminded himself. He was lost aboard an ancient starship called
Ark
, and surrounded by villains, and Mushroom was dead by his own hand.
He walked on. How long he could not say. His footsteps rang. The floor was level and bare and seemed to go on forever. Finally he walked right into something in the dark. He was moving slowly, so he was not hurt, but he dropped Mushroom in the collision. He groped ahead, tried to determine what sort of object had stopped him, but it was hard to tell through the fabric of his gloves. It was large and curved.
That was when the lights came on.
For Haviland Tuf, there was no explosion of light; what illumination existed in this place was dim, murky, subdued. As it shone down from above, it cast ominous black shadows everywhere, and gave the lighted areas a curious greenish cast, as if they were covered with some radiant moss.
Tuf gazed about. It was more a tunnel than a cavern, perhaps. He had walked all the way across it, a distance of at least a kilometer, he judged. But its breadth was nothing to its length, it must run the full length of the ship, along its major axis, for it seemed to vanish into dimness in both directions. The ceiling above was a shroud of green shadows; high, high overhead, echoes rang off its dimly seen curves. There were machines, a good many machines—computer substations built into the walls, strange devices the like of which Haviland Tuf had never seen, flat worktables with waldoes and microhands built into them. Yet the main feature of this huge, echoing shaft was the vats.
Everywhere there were vats. They lined both walls as far as the eye could see in either direction, and a few even bulged down from the ceiling. Some of the vats were immense, their swollen translucent walls large enough to contain the
Cornucopia.
Elsewhere they were
cells
the
size
of a man’s hand, thousands of them, ascending from floor to ceiling like plastic honeycombs. The computers and work-stations dwindled into insignificance beside them, small details easily overlooked. And now Haviland Tuf discerned the source of the liquid sound he had heard. Most of the vats were empty, he saw through the greenish gloom, but a few—one here, one there, two farther on—seemed to be full of colored fluids, bubbling, or stirred by the feeble motions of half-seen shapes within.
Haviland Tuf regarded the vista before him for a long time, its scale making him feel very small. Yet finally he turned away, and bent to pick up Mushroom once again. As he knelt, he saw what he had walked into in the dark: a vat, a medium-large one, its transparent walls curving away from him. This vat was full of a thick, murky yellowish liquid, shot through with moving swirls of red. Tuf heard a faint gurgling, and felt a slight vibration, as if something were stirring inside. He leaned closer, peered in, and then craned his head up.
Within, floating, unborn and yet alive, the tyrannosaur stared down at him.
In the circuit there was no pain. In the circuit he had no body. In the circuit he was mind, pure sweet white mind, and he was part of something vast and powerful and infinitely greater than himself, greater than any of them. In the circuit he was more than human, more than cyborg, more than mere machine. In the circuit he was something like a god. Time was nothing in the circuit; he was as swift as thought, as swift as silicon circuitry opening and closing, as swift as the messages that raced along superconductive tendons, as swift as the flash of
Morten Storm, Paul Cruickshank, Tim Lister