Free Husband by Dean Koontz Page A

came.”
    Mitch turned, and the gunman also turned, staying behind him.
    As he began to retrace his steps along the final aisle, past the first of the southern windows, Mitch heard the lug wrench scrape against the boards as the gunman scooped it off the floor.
    He could have pivoted, kicked, and hoped to catch the man as he rose from a quick stoop. He feared the maneuver would be anticipated.
    Thus far, he had thought of these nameless men as professional criminals. They probably were that, but they were something else, too. He did not know what else they might be, but something worse.
    Criminals, kidnappers, murderers. He could not imagine what might be worse than what he already knew them to be.
    Following him along the aisle, the gunman said, “Get in the Honda. Go for a ride.”
    “All right.”
    “Wait for the call at six o’clock.”
    “All right. I will.”
    As they neared the end of the aisle, at the back of the loft, where they needed to turn left and cross the width of the garage to the steps in the northeast corner, something like luck intervened by way of a cord, a knot in the cord, a loop in the knot.
    At the moment it happened, Mitch didn’t perceive the cause, only the effect. A tower of cardboard boxes collapsed. Some tumbled into the aisle, and one or two fell on the gunman.
    According to stenciled legends on the cartons, they contained Halloween ceramics. Packed with more bubble wrap and shredded tissue paper than with decorative objects, the boxes were not heavy, but an avalanche of them almost knocked the gunman off his feet and sent him stumbling.
    Mitch dodged one box and raised an arm to deflect another.
    The falling first stack destabilized a second.
    Mitch almost reached toward the gunman to steady him. But then he realized that any offer of support might be misinterpreted as an attack. To avoid being misunderstood—and shot—he stepped out of his enemy’s way.
    The old dry wood of the railing at the back of the loft could safely accommodate anyone who leaned casually on it, but it proved too weak to endure the impact of the stumbling gunman. Balusters cracked, nails shrieked loose of their holes, and two butted lengths of the handrail separated at the joint.
    The gunman cursed at the storm of boxes. He cried out in alarm as the railing sagged away from him.
    He fell to the floor of the garage. The distance was not great, approximately eight feet, yet he landed with a terrible sound, and in a clatter of broken railing, and the gun went off.

14
    F rom the toppling of the first box to the concluding punctuation of the gunshot, only a few seconds had passed. Mitch stood in stunned disbelief longer than the event itself had taken to unfold.
    Silence shocked him from paralysis. The silence below.
    He hurried to the stairs, and under his feet the boards released a great thunder, as though they had stored it up from the storms that long ago had lashed the trees from which they had been milled.
    As Mitch crossed the garage on the ground level, past the front of the truck, past the idling Honda, elation contested with despair for control of him. He did not know what he would find and therefore did not know what to feel.
    The gunman lay facedown, head and shoulders under an overturned wheelbarrow. He must have slammed into one edge of the wheelbarrow, flipping it over and on top of himself.
    An eight-foot fall should not have left him in such a profound stillness.
    Breathing hard but not from physical exertion, Mitch righted the wheelbarrow, shoved it aside. Each breath brought him the scent of motor oil, of fresh grass clippings, and as he crouched beside the gunman, he detected the bitter pungency of gunfire, too, and then the sweetness of blood.
    He turned the body over and saw the face clearly for the first time. The stranger was in his middle twenties, but he had the clear complexion of a preadolescent boy, jade-green eyes, thick lashes. He did not look like a man who could talk deadpan about