wasnât wise, was it?â
London, the den of iniquity? âNo, it must not have been,â he answered.
âI donât suppose you know how that man came by Mrs. Russellâs locket or had Miss Cynthiaâs photograph in it?â
âNo. But when I find Miss Farraday, perhaps she can tell me.â
âYes, and sheâll lead you up the garden path, if I know her, unless sheâs changed.â As if sheâd said more than she intended, Mrs. Brothers added, âBut to be fair, she wasnât wicked, just lively and sometimes trying.â
âDid you by any chance keep in touch with her after she left Riverâs Edge?â
âThere I canât help you, and Iâm that sorry. I never knew just where it was she went to in London. But she could have told me ten times over, and it wouldnât have made any difference. I was never in London, you see. I did hear that the house had belonged to her parents, which isnât much help, as sheâs likely married by now and living somewhere else.â
He finished his tea, retrieved the locket from the table along with the envelope, and prepared to take his leave, thanking her.
âYou never told me how you came to have Mrs. Russellâs locket.â
He owed her the truth.
âThe dead man was wearing it when he was pulled from the river.â
âIf this man,â she said after digesting what Rutledge had told her, âhad the locketâwhere did he get it? Did he know what became of Mrs. Russell?â
âI wish I could answer that,â Rutledge said. âBut he told the police at one time that Russell had killed Fowler.â
She shook her head vehemently. âI donât believe a word of that. Now I could see maybe Mr. Russell taking his fists to Mr. Fowler. He had a black temper on him, Mr. Wyatt did. But murder? No.â
âBut you said that they were jealous of Cynthia Farradayâs attentions.â
âIf every jealous man took to killing his rival, youâd be busier than a beaver in a rainstorm!â she retorted. âWhatâs more, in your shoes, I wouldnât believe someone wearing a dead womanâs locket.â
F rom the Brothers farm, Rutledge drove back to Furnham and left his motorcar by The Dragonfly Inn. It was small and for Furnham, rather picturesque, with a cottage garden in front where hollyhocks bloomed among other summer flowers.
The streets were busier now, women going about their marketing, fishermen coming up from the water, workmen standing in front of the ironmongerâs, passing the time of day. Beyond the High Street, the river was dappled with sunlight, and the boats riding at anchor were turning with the tide.
Rutledge stopped the first man he encountered. From his rough clothing, he appeared to be a laborer, and there was cement crusted in the cuticles of his fingers.
âMy name is Rutledge,â he began, already drawing the photograph out of its envelope. âIâm trying to locate the family of this man.â He held it out.
The man barely glanced at it. From his flat expression it was impossible to tell what he was thinking. âDonât know him,â he said, and brushing the extended photograph aside, he walked on.
Rutledge continued down the street, found another man just coming out of the ironmongerâs, a bolt in his hand, staring down at it as if he werenât satisfied with the choice heâd made. He looked up when a shadow fell over his hand.
âWho are you?â he demanded, as if Rutledge had dropped from the moon.
Rutledge recognized him, the man in corduroy trousers and a workmanâs shirt who had challenged him earlier as he drove along the street with Frances. He wasnât sure, however, that the man remembered him. He repeated his earlier approach.
The man pushed his extended arm aside. âNever saw him before,â he said brusquely as he walked on.
Rutledge tried three more
John Warren, Libby Warren
F. Paul Wilson, Alan M. Clark