light the candle, then dripped enough warm wax on the end of the table by the alligator’s snout to serve as a candleholder. Then he turned off the lamp.
The cat watched interestedly as Wyungare settled himself on the floor and set the drum between his knees. The man picked out a basic rhythm, the beat of the river, let it repeat, worked a variation, settled into the sound.
He was still aware of being in the hospital room; but he was simultaneously aware of walking through a thick pine forest. The humidity was high and his skin felt sticky. It was hard to see the sun. He looked up and saw intermittent flashes of hazy light.
The man entered a clearing and passed a decrepit frame house. Time had not spared the boards; they possessed a soft gray shine. Before he rounded the front corner, Wyungare heard a small sound. A whimper. He stopped and looked carefully beyond the juncture, the side of his face pressed comfortably against the gray clapboard.
He saw a humped shape pinned beneath the rectangular shroud of a screen door. Wyungare carefully approached. He found the body of a young boy lying on his belly, the screen door over him. Someone had staked the door to the earth with long, rusted spikes. The boy’s body filled out the pliable screening as though it had been molded there. The wire over the boy’s buttocks was wet, rusty with blood. He whimpered. His fingers twitched at the rough mesh.
The young Jack? Wyungare thought. He knew that Jack Robicheaux had been reared in a rural southern Louisiana parish back in the time of Earl Long. His niece Cordelia Chaisson had told Wyungare that. When he contracted the wild card virus, Jack had imprinted on the pervasive bayou image of the alligator. That reptile had become the alter ego of his shape-changing ability. Now doubly cursed and dying of AIDS, Jack Robicheaux’s human avatar apparently lay very far indeed from the waking world.
Who did this? Wyungare wondered to himself. Which monster? He was afraid he knew. “Do you wish release?” he asked aloud. He thought he already knew the answer.
The boy turned his head slightly to the side and looked into Wyungare’s eyes. The boy’s eyes were dark and liquid, echoing the black, tangled hair.
“I should not interfere,” the man said, “but I think there’s not enough time for you to solve your own lesson.” He touched one of the steel spikes and tried to wiggle it back and forth. It was solidly driven into the ground.
He heard the sound.
Wyungare started to turn, to look over his shoulder. In the other world, the waking place, he was aware that someone had opened the door to Jack’s room, had paused in the halo of outside light, was looking around, reacting —
He felt the force slam into his head and start to shut down all his autonomic systems. His heart, his lungs — He could see the shadowed eyes of the intruder and knew he was being killed by a woman.
Something dark and heavy streaked through the black room and slammed into the woman’s back. She tumbled forward onto her face on the cool tile floor, the breath going out of her with a whoof . Her chin led and her teeth clicked together. The woman lay still for a moment, seemingly stunned.
The killing pressure left his mind.
With apologies, Wyungare abandoned the imprisoned child and returned to the waking world. He shook his head and blinked a few times.
The black cat was purring and licking the woman’s cheek with his rough wet tongue. She groaned and tried to raise her head. The cat nuzzled her face and she recoiled. “Stop it!”
Wyungare walked over to her and bent down. The woman’s long, curly hair was soft and just as black as had been the boy’s in the other world. “You okay?”
The woman pushed the cat firmly away and tilted her face toward his. Her eyes matched the color of her hair. “You?” she said, sounding shocked.
“It ain’t Mel Gibson, young missy,” Wyungare said. “It is memorable to see you, Cordelia” He reached