forgery, apparently. They spotted it almost at once.”
“Things came to light to show that the opera girl could have done it quite easily,” said Elspeth.
“You see, she wrote a great many of Mrs Llewellyn-Smythe's letters for her and it seems Mrs Llewellyn-Smythe had a great dislike of typed letters being sent to friends or anything like that. If it wasn't a business letter, she'd always say 'write it in handwriting and make it as much like mine as you can and sign it with my name'. Mrs Minden, the cleaning woman, heard her say that one day, and I suppose the girl got used to doing it and copying her employer's handwriting, and then it came to her suddenly that she could do this and get away with it. And that's how it all came about. But as I say, the lawyers were too sharp and spotted it.”
“Mrs Llewellyn-Smythe's own lawyers?”
“Yes. Fullerton, Harrison and Leadbetter. Very respectable firm in Medchester. They'd always done all her legal business for her. Anyway, they got experts on to it and questions were asked and the girl was asked questions and got the wind up. Just walked out one day leaving half her things behind her. They were preparing to take proceedings against her, but she didn't wait for that. She just got out. It's not so difficult, really, to get out of this country, if you do it in time. Why, you can go on day trips on the Continent without a passport, and if you've got a little arrangement with someone on the other side, things can be arranged long before there is any real hue and cry. She's probably gone back to her own country or changed her name or gone to friends.”
“But everyone thought that Mrs Llewellyn-Smythe died a natural death?” asked Poirot.
“Yes, I don't think there was ever any question of that. I only say it's possible because, as I say, these things have happened before where the doctor has no suspicion. Supposing that girl Joyce had heard something, had heard the au pair girl giving medicines to Mrs Llewellyn-Smythe, and the old lady saying 'this medicine tastes different to the usual one'. Or 'this has got a bitter taste' or 'it's peculiar'.”
“Anyone would think you'd been there listening to things yourself, Elspeth,” said Superintendent Spence. “This is all your imagination.”
“When did she die?” said Poirot.
“Morning, evening, indoors, out of doors, at home or away from home?”
“Oh, at home. She'd come up from doing things in the garden one day, breathing rather heavily. She said she was very tired and she went to lie down on her bed. And to put it in one sentence, she never woke up. Which is all very natural, it seems, medically speaking.”
Poirot took out a little notebook. The page was already headed “Victims”.
Under, he wrote.
“No. 1, suggested, Mrs Llewellyn-Smythe.”
On the next pages of his book he wrote down the other names that Spence had given him. He said, inquiringly: “Charlotte Benfield?”
Spence replied promptly.
“Sixteen-year old shop assistant. Multiple head injuries. Found on a footpath near the Quarry Wood. Two young men came under suspicion. Both had walked out with her from time to time. No evidence.”
“They assisted the police in their inquiries?” asked Poirot.
“As you say. It's the usual phrase. They didn't assist much. They were frightened. Told a few lies, contradicted themselves. They didn't carry conviction as likely murderers. But either of them might have been.”
“What were they like?”
“Peter Gordon, twenty-one. Unemployed. Had had one or two jobs but never kept them. Lazy. Quite good-looking. Had been on probation once or twice for minor pilferings, things of that kind. No record before of violence. Was in with a rather nasty lot of likely young criminals, but usually managed to keep out of serious trouble.”
“And the other one?”
“Thomas Hudd. Twenty. Stammered. Shy. Neurotic. Wanted to be a teacher, but couldn't make the grade. Mother a widow. The doting mother type.
Gillian Doyle, Susan Leslie Liepitz