in child-rearing change. In many parts of the Earth it is now considered quite wicked to deliberately frighten a child, even for its own good, so Nursery Bogeys are an endangered species. Some have reinvented themselves as Funny (but Nice) Fairies in order to survive. In Iceland, children used to be told that in the thirteen nights leading up to Christmas thirteen hideous hobgoblins would come down from the mountains and creep into the house, one by one; they would carry off any child who was naughty, and probably eat it. Nowadays, this simply won’t do. The Thirteen Christmas Lads still look hideous, but that’s just a joke, and nobody is afraid of them. In fact, each of the Lads pops a sweet, or some other little present, under the child’s pillow. Perhaps this delicacy is because we think we know of more complex monsters now? But we always have. The world of the fairy tale is a map of prohibitions: do not open that door/enter that wood … and above all, young lady, don’t talk to the wolf.
There have been many theories as to what the true home of the elfin races is like, and where it may be found – if indeed they have a home, for they might simply be alien nomads, creating the illusion of aFairyland in any territory they invade. The Nac Mac Feegle (who ought to know, as they are fairies of a sort themselves) say that there is an elf-world, but it’s a mere parasite. One of them tells Tiffany Aching: ‘It floats around until it finds a place that’s weak on a world where no one’s payin’ attention, and opens a door. Then the Queen sends in her folk. For the stealin’, ye ken.’
The Wee Free Men is the story of how elves ‘open a door’ between standing stones on the Chalk hills, and how Tiffany crosses into their world to rescue her little brother, kidnapped by the Queen, and also, incidentally, an older boy named Roland. One can’t properly describe this ‘Fairyland’, for it is full of human dreams and nightmares, which keep on changing. But in its true nature, before the illusions begin, it is a cold, snowy land which somehow does not feel like a real place. There is no sun in the sky. The woods are full of dimness and shadows, and no birds sing. Nothing grows older there, because nothing grows at all.
Yet the Nac Mac Feegles tell Tiffany that ‘Fairyland’ was not always such a terrible place. It has been ruined by a domestic dispute:
‘It wasnae so bad then. It wasnae perfect, mark you, but the Quin wasnae as cold in them days. The King was still aroound. She was always happy then.’
‘What happened? Did the King die?’
‘No. They had words, if ye tak’ my meanin’,’ said Rob.
‘Oh, you mean like an argument—’
‘A bit, mebbe,’ said Rob. ‘But they was magical words. Forests destroyed, mountains explodin’, a few hundred deaths, that kind of thing. And he went off to his own world. Fairyland was never a picnic, ye ken, even in the old days. But it was fine if you kept alert, an’ there was flowers and burdies and summertime.’ [ The Wee Free Men ]
There are mysteries here. Will Shakespeare must have picked up some echo of them, since his Midsummer Night’s Dream tells of a quarrel between the King and Queen of Fairyland, whom he calls Oberon and Titania, ending in reconciliation. Whether there can be the same happy ending elsewhere in the multiverse remains to be seen. But where, meanwhile, has Oberon’s Discworld counterpart disappeared to? And who is he? The witches of Lancre know the answer. He is the powerful antlered figure who lies in the cavern beneath the barrow known as the Long Man, dreaming the days away in his steam-filled sweat-house. One day, maybe, he will return. Meanwhile (as we learn in Lords and Ladies ), he occasionally intervenes to frustrate the plans of his Queen.
When Tiffany asks the Nac Mac Feegles what will become of her brother if she can’t rescue him, they explain that he will probably return one day, but …
‘Time passes slower the