Free The Walking Dead: The Fall of the Governor (The Walking Dead Series) by Jay Bonansinga, Robert Kirkman Page A

now.”
    She peers into the trees ahead of them and sees the faint haze of smoke building in the woods. The air, hectic with bugs, smells of burned circuitry and scorched metal. The wreckage is still a few hundred yards off in the distant pines. The faint crackle of fire can be heard, barely audible above the wind rustling in the treetops.
    Off to the right, maybe twenty yards ahead of Lilly, Martinez has taken the lead, weaving through the undergrowth, slicing through foliage with his bowie knife. On a parallel path to the left, Gus trudges along, his hound-dog eyes surveying the shadows for biters, his machete on his shoulder. The sky is barely visible above him, blocked by skeins of tree limbs and vines.
    Lilly starts to say something else when a figure appears in front of Gus.
    Lilly halts, her gun coming up fast, her breath seizing up in her throat. She sees Gus raise the machete. The large male walker, clad in tattered overalls, has its back turned to him, teetering on dead legs, its head cocked toward the crash site like a dog hearing an ultrasonic whistle. Gus sneaks up behind it.
    The machete comes down fast, the blade making a crunching noise as it embeds itself in the gristly dura of the walker’s cranium. Fluids gush, making watery sluicing noises in the silence of the woods, as the walker collapses. Lilly hardly has a chance to breathe again when another noise draws her attention to the right.
    Fifteen feet away, Martinez lashes out at another stray walker—a spindly female with gray hair matted like spider webs—probably a former farmer’s wife skulking around the brush. His knife impales the back of her head above the neck cords, putting her down with the speed of a silent embolism. She never saw it coming.
    Letting out an involuntary sigh of relief, lowering her pistol, Lilly realizes that the walkers are currently mesmerized by the sights and sounds of the crash.
    Martinez pauses to glance over his shoulder at the others. “Everybody good?” he says in a low voice, almost a stage whisper.
    Nods from everyone. And then they’re moving again, slowly but steadily forward, into the denser trees and fog-bound shadows. Martinez motions for them to hurry up. The ground is spongy and soggy beneath their feet, slowing them down. The shadows close in, the odors of scorched metal and burning fuel engulfing them, the crackling noises rising.
    Lilly feels nauseous, her skin prickling with nerves. She senses Austin’s eyes on her. “Do you think maybe you could stop staring at me?”
    “It’s not my fault you’re so hot,” he says with that same nervous smirk.
    She shakes her head in dismay. “Can you just try and focus?”
    “I am totally focused, believe me,” he says, still gripping his gun with that fake cop-show grip as they continue on.
    *   *   *
    Less than a hundred yards from the crash site, they come to a washout—a bug-infested, swampy clearing blocking their path—the bog crisscrossed by enormous deadfall logs. With silent hand motions, Martinez directs them to use the logs as bridges. Gus goes first, crabbing across the largest deadfall. Martinez follows. Lilly goes next, and Austin brings up the rear. As he reaches the other side, Austin feels a tugging sensation on his jeans. The others have already crossed, and are now trudging toward the clearing. Austin pauses. At first he thinks he’s caught on a piece of bark, but then he looks down.
    Decomposing hands rise out of the marsh, clawing at his pants leg.
    He lets out a cry and fumbles with his gun as dead fingers clutch at him, pulling him downward. Rising out of the mire, the slimy top half of a moldering creature goes for his legs. Filmed in black gunk, its hairless skull unidentifiable as man or woman, its eyes as white and opaque as light bulbs, it snaps its black turtlelike mouth on the creaky hinges of a ruined jaw.
    Austin gets off a single muffled gunshot—the silencer spitting sparks—but the bullet misses its mark. The