seat three places in, between a man in a black tailcoat and a white-haired fellow in a blue uniform with a sash. As each was some inches taller than she, Miss Temple assured herself that she was less visible between them—though what she felt was fully trapped. Behind her, she knew the woman in red must have entered. She forced her gaze to the stage, but what she saw didn’t help her fears in the slightest.
The powerful man extended his hand into the shadow of a rampway and pulled it back, now gripping the pale shoulder of a masked woman in white silk robes. The woman walked carefully, blinded by the light, allowing the man to guide her. He then—with no ceremony at all—hoisted her with both hands into a sitting position on the table, legs dangling. He scooped up her legs and pulled them around to the table front, rotating her. He was obviously speaking to her, too low for anyone else to hear, for with a shy smile she lay back on the table, and shifted her body to be properly in the center. As she did this, the man matter-of-factly positioned each of her ankles to opposite corners of the table and threaded a leather belt around them. He tightened the belts with a sharp tug and let the slack drop. He moved up to her arms. The woman said nothing. Miss Temple was unsure which of the three women was on the table—perhaps the pirate?—and while she was trying to guess, the man bound the woman’s arms. Then, carefully, he cleared away her elegantly curled hair and threaded another belt across her pale, delicate throat. This was also tightened, in a firm but not so muscular manner, leaving the woman completely secured. The man then stepped behind her and took hold of a metal handle, like that of a pump. He pulled it. The machinery answered with a percussive snap, loud as a gunshot, and the top of the table lurched upwards, rotating toward the gallery. Three more snaps and the woman was perhaps half-way to being vertical. He released the handle and walked off the stage into shadow.
The woman had no particular expression, aside from a bland smile, but this could not disguise the fact that her legs were shaking. Miss Temple risked a glance over the shoulder of her neighbor, back toward the door, and quickly turned her eyes back to the stage. The woman in red stood directly in the doorway, as if on guard, glancing idly across the crowd as she worked a new cigarette into her holder. Miss Temple’s only other escape would be to vault onto the stage and rush down a rampway, which was hardly possible. Restlessly, she looked across the crowd herself, trying to find some idea, some new avenue. Instead, she found Roger, directly in the center of the gallery, sitting between a woman in yellow—she must be the laughing woman from his train compartment—and, of all things, an empty seat. It must be the only empty seat in the theatre. Somewhere behind her, Miss Temple smelled burning tobacco. She was certain that seat belonged to her scarlet nemesis—but what could explain the connection of that woman and Roger Bascombe? Was she some diplomatic figure—or a mysterious courtesan, or decadent heiress? Simply by collecting Miss Temple at the door, she proved herself part of whatever the crowd had here gathered to watch. Roger had been with her on the train—but did that mean he knew what they’d see as well? But then, with a sudden stab of doubt, Miss Temple wondered instead if the seat she occupied had been the woman’s—but what could she possibly do now?
The powerful man returned to the light, now bearing in his arms another of the white-robed women. This was certainly the one in blue silk, for her long hair was undone and trailed down toward the floor. He walked to the center of the stage, in front of the table, and cleared his throat.
“I believe we are ready,” he began.
Miss Temple was surprised at his voice, which far from being harsh or commanding, was faint, almost a rasp, if still in a bass register. It emerged from
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