A Writer at War

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Authors: Vasily Grossman
like a stallion,’ she told me. ‘The Devil came to me last night and gripped my palm with his fingernails. I began to pray: “May God rise again and may His enemies be scattered.” And the Devil paid no attention. Then I began to swear and curse at him and he went away immediately. My Vanyacame to me last night. He sat down on a chair and looked at the window. I said to him: “Vanya, Vanya!,” but he didn’t reply.’
    If we do win in this terrible, cruel war, it will be because there are such noble hearts in our nation, such righteous people, souls of immense generosity, such old women, mothers of sons who, from their noble simplicity, are now losing their lives for the sake of their nation with the same generosity with which this old woman from Tula has given us all that she had. There is only a handful of them in our land, but they will win.
    The regal generosity of this pauper has shaken all of us. In the morning we leave her all our supplies, and our drivers, in a frenzy of kindness, loot the whole area and bring her so much firewood and potatoes that she will be able to last till spring on them. ‘What an old woman,’ Petlyura says when we set off, and shakes his head.
    Soon after reaching the Orel–Tula road, Grossman spotted a sign to Yasnaya Polyana, the Tolstoy estate, some twenty kilometres south of Tula. He persuaded his companions that they should visit it. As things turned out, the next visitor after them would be General Guderian, who decided to turn the writer’s home into his headquarters for the assault on Moscow.
    Yasnaya Polyana. I suggested we take a look at it. The Emka turned off the panic-stricken highway, and the Noah’s Ark followed. One could see the green roofs and white walls of the houses amid the curly gold of the autumnal park. The gate. Chekhov, when he first came here, only managed to walk up to this gate and then turned away, intimidated by the thought that he would meet Tolstoy in a few minutes. He walked back to the station and returned to Moscow. The road leading to the house is paved by countless red, orange and yellow leaves. This is so beautiful. The more lovely the surroundings, the sadder one feels in times like these.
    There’s an angry, pre-departure confusion in the house. Piles of boxes. Bare walls. Suddenly I feel with a terrible intensity that this place has turned into Lysye Gory, which the old and sick Prince is about to leave. 2 Everything has combined to produce an entirely new image, the events that occurred a century ago and those happeningtoday, and what the book tells with such strength and truthfulness about the old Prince Bolkonsky now seems to refer to the old Count Tolstoy himself and has become inseparable from reality.
    Meeting with Sofya Andreevna. 3 She is calm and depressed. [She] says that the secretary of the local Party Committee has promised to provide her with railway carriages to evacuate the museum, but she isn’t sure that it is still possible, now that the Germans are so close and are advancing so fast. We talk about Moscow and friends who have passed away, and then we remain silent for a while thinking of their unfortunate fate. Then we discuss the theme that everyone is now talking about with pain, bewilderment and sorrow: the retreat.
    Tolstoy’s grave. Roar of fighters over it, humming of explosions and the majestic calm autumn. It is so hard. I have seldom felt such pain.
    Tula, seized with that deadly fever , the tormenting, terrible fever we’ve seen in Gomel, Chernigov, Glukhov, Orel and Bolkhov. Is this really happening to Tula? Complete confusion. An officer finds me in the Voentorg military canteen. He asks me to come to the OBKOM. A representative of the Stavka who is there at the moment would like to find out from me where the headquarters of the Bryansk Front is at the moment, as he needs to send units there. Fragments of divisions are arriving. They say that only part of the 50th Army has managed to escape the

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