must understand, he resigned himself never to compose another note. Doing so caused him great pain. Resurrecting hope that he might compose again—well, that’s not a risk to be undertaken lightly.” Subject closed. I mentioned my earlier encounter with Eva, and Mme. C pronounced, “My daughter was uncivil.”
“Reserved” was my perfect reply.
My hostess topped up my glass. “Eva has a disagreeable nature. My husband has taken very little interest in rearing her like a young lady. He never wanted children. Fathers and daughters are reputed to dote on each other, are they not? Not here. Her teachers say Eva is studious but secretive, and she’s never tried to develop herself musically. I often feel I don’t know her at all.” I filled Mme. C.’s glass, and she seemed to cheer up. “Listen to me, lamenting. Your sisters are immaculately mannered English roses, I am sure, Monsieur?” Rather doubt her interest in the Frobishery’s memsahibs was genuine, but the woman likes to watch me talk, so I painted witty caricatures of my estranged clan for my hostess’s amusement. Made us all sound so gay, almost felt homesick.
This morning, a Monday, Eva deigned to share breakfast—Bradenham ham, eggs, bread, all sorts—but the girl spouted petty complaints to her mother and snuffed my interjections out with a flat oui or a sharp non . Ayrs was feeling better so ate with us. Hendrick then drove the daughter off to Bruges for another week at school—Eva boards in the city with a family whose daughters also attend her school, the Van Eels or some such. Whole château breathed a relieved sigh when the Cowley had cleared the poplar avenue (known as the Monk’s Walk). Eva does so poison the air of the place. At nine, Ayrs and I adjourned to the music room. “I’ve got a little melody for viola rattling about my head, Frobisher. Let’s see if you can get it down.” Was delighted to hear it, as I’d expected to start at the shallow end—tidying up sketchy MSS into best copy and so forth. If I proved my worth as V.A.’s sentient fountain pen on my first day, my tenure would be well-nigh assured. Sat at his desk, sharpened 2B at the ready, clean MS, waiting for him to name the notes, one by one. Suddenly, the man bellowed:” ‘Tar, tar! Tar-tartar tattytattytatty, tar!’ Got that? ‘Tar! Tatty-tar! Quiet part—tar-tar-tar-tttt-TAR! TARTARTAR!!!’ “Got that? Old ass obviously thought this was amusing—one could no more notate his shouted garble than one could score the braying of a dozen donkeys—but after another thirty seconds, it dawned on me this was no joke. Tried to interrupt, but the man was so engrossed in his music making that he didn’t notice. Sunk into deepest misery while Ayrs carried on, and on, and on … My scheme was hopeless. What had I been thinking about at Victoria Station? Dejected, I let him work through his piece in the lean hope that having it complete in his head might make it easier to duplicate later.
“There, finished!” he proclaimed. “Got it? Hum it back, Frobisher, and then let’s see how it sounds.”
Asked what key we were in. “B-flat, of course!” Time signature? Ayrs pinched the bridge of his nose. “Are you saying you’ve lost my melody?” Struggled to remind myself he was being totally unreasonable. I asked him to repeat the melody, much more slowly, and to label his notes, one by one. There was an acute pause that felt about three hours long while Ayrs decided whether or not to throw a tantrum. In the end, he released a martyred sigh. “Four-eight , changing to eight-ei gh t after the twelfth bar, if you can count that far.” Pause. Remembered my monetary difficulties and bit my lip. “Let’s go all the way back, then.” Patronizing pause. “Ready now? Slowly … Tar! What note is that?” Got through a hideous half hour with me guessing every single note, one by one. Ayrs verified or rejected my guess with a weary nod or shake of the head. Mme. C
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