exchange itself, in the needful shuttling to and fro between her humanness and his divinity, this is what debilitates him so, even as it delights him. Hence he keeps coming back for more. Each time he dips his beak into the essence of a girl he takes, so he believes, another enchanting sip of death, pure and precious. For of course he wants to die, as do all of us immortals, that is well known.
This love, this mortal love, is of their own making, the thing we did not intend, foresee or sanction. How then should it not fascinate us? We gave them that irresistible compulsion in the loins—Eros and Ananke working hand in hand—only so they might overcome their disgust of each other’s flesh and join willingly, more than willingly, in the act of procreation, for having started them up we were loath to let them die out, they being our handiwork, after all, for better or, as so often, worse. But lo! see what they made of this mess of frottage. It is as if a fractious child had been handed a few timber shavings and a bucket of mud to keep him quiet only for him promptly to erect a cathedral, complete with baptistry, steeple, weathercock and all. Within the precincts of this consecrated house they afford each other sanctuary, excuse each other their failings, their sweats and smells, their lies and subterfuges, above all their ineradicable selfobsession.This is what baffles us, how they wriggled out of our grasp and somehow became free to forgive each other for all that they are not.
And all the time the entire thing is a self-induced fantasy. What my Dad, lusting after their love, does not see and will not hear said is that that which love loves is precisely representation, for representation is all it knows. Or not even that much. Show me a pair of them at it and I will show you two mirrors, rosetinted, flatteringly distorted, locked in an embrace of mutual incomprehension. They love so they may see their pirouetting selves marvellously reflected in the loved one’s eyes. It is immortality they are after—yes, what we would be shot of they long for, or at least the illusion of it, to seem to live forever in an instant of passion. Hence their ceremonies of surrender and engorgement. Agape ?—aye, at that feast they eat each other, gobble each other up. And this, this it is that great Zeus covets, their little manufactured transports from which he is excluded.
Those troubadours and their lays have a lot to answer for.
Maddened by prurience, like an old dog by his fleas, my divine father scratches and scratches, until he has exhausted himself. No bull or bird but a mangy old dog, yes, that is what he is. Or, if you prefer, a hapless boy, a shepherd lad, say, hunched in hiding in some Attic grove, spying on a bevy of nymphs at their bath and frantically rubbing himself and stifling yelps of anguished ecstasy. What else can he do, my poor old man? They will not love him—they do not even know it is he, seeing only whatever outlandish disguise it is he presents himself in and lacking the imagination to conceive of a god. And yet he goes on pressing them for a word, a pledge, a plight. It is pathetic. This morning, with young Adam’s wife, he was more abject in hisentreaties than I think I have ever known him. It was shaming, and I would have absented myself from the scene were there not in me, too, sometimes, a panting Daphnis spying on a world of pleasures and passions beyond his savouring.
Besides, I had been working hard and had earned a little diversion. Not only did my Dad set me to monitor the house and ensure he was not disturbed at his illicit amours but I also had to render the lady Helen’s husband sleepless so he would go night-wandering and vacate the bed. Then—and wait till you hear this—then I was commanded to hold back the dawn for fully an hour, to give the old boy extra time in which to work his wiles on the unsuspecting girl. Imagine what effort that little feat of prestidigitation involved: the stars
AKB eBOOKS Ashok K. Banker