Free Saint Death - John Milton #3 by Mark Dawson Page A

landing in a deep crouch and bringing up his right hand in a sudden, fluid motion. Plato saw a pair of angel wings tattooed across his back as his right arm blurred up and then down, something glinting in his hand and, then, leaving his hand. That glint spun through the air as if the man had unleashed a perfect fastball, like Pedro Martinez at the top of the ninth, two men down, the bases loaded. The kitchen knife––for that was what it was––landed in Machichi’s throat.
    He dropped his revolver, tottered backwards, clawing at the blade that had bisected his gullet.
    It was the spur Plato needed: he spun up and around, firing the Glock. The sicario with the Kalashnikov took a round in the shoulder and wheeled away, wild return fire going high and wife, stitching a jagged trail into the fishing net that was hanging from the ceiling. Sanchez appeared and fired from the doorway to the restroom; Alameda was nowhere to be seen. All the diners were on the floor now; the cook fast-crawled on his belly between them, a bee-line to the man with the Kalashnikov and, with a butterfly knife that had appeared in his hand, he reached down and slit the man’s throat from ear to ear. He picked up the AK.
    He popped out of cover, the muzzle flashing.
    One of the sicarios was hit, his head jerking back.
    The cook was beneath the line of the tables, firing a quick burst that left most of the top of the man smeared across the carpet and the wall behind him. The gun made a throaty chugging sound. Like someone with a hacking cough.
    The remaining pair scrambled back to the door. Plato watched through the restaurant’s large picture window as they hurried to the Q5. The cook stepped around to the window. The car was just fifteen feet away outside. The cook raised the Kalashnikov, calm and easy, braced the stock expertly against his shoulder and fired a concentrated volley straight through the window. The pane shattered in an avalanche of shards, the bullets puncturing the driver side window, none going astray, all of them within a neat ten-inch circle.
    The car swerved out of control and hit another. The door swung opened. The airbags had deployed. The driver fell out, his head a bloody mess. The passenger was hit, too.
    Plato brought up his Glock and aimed at the cook.
    “Police! Get down, señor! Down! On the floor!”
    The man got to his knees, put the Kalashnikov on the carpet, then lay down.

 
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    15.
    MILTON HAD lost track of time. Suddenly, there had been sirens, police, ambulances. Six men and two women were dead. It was obvious who the gunmen had been after: two of the dead were from the same table. The police fussed around the bodies, taking photographs and judging trajectories, and then, when they were done, the paramedics were called over to lift the dead onto gurneys, covering their faces as they hauled them away. Milton was detained by the older, silver haired municipal cop who had shot the gunman with the Kalashnikov; he was a little plump around the middle, the wrong side of fifty and he had the smell of alcohol on his breath. The man told him to get a shirt, told him he was going to have to have to come back to the station with him to give a statement. Milton said that wasn’t necessary, he could just do it there and then, but the cop had been insistent. Then, when they had arrived, he had insisted that he be photographed and have his fingerprints taken. Milton said he wasn’t a criminal. The cop said maybe, but he just had his word for that. Milton could have overpowered him easily, and could have gotten away, sunk under the surface again, but there was something about the cop that said he could trust him and something about the night itself that said he better stick around.
    He let them take their photographs, front and profile. He let them take his prints.
    The man was sitting in front of him now.
    “So––you’re Mr.” ––he looked down at his notes––“Smith. Right?”
    “That’s