patterns.â
âSo which do you get first, the lyrics or the melody?â
âWhy are you so curious about the way I write songs? No one else has ever asked me all these questions. I just show them the song once Iâve written it.â
âI told you. I want a special song. I want to have âinputâ.â
âI donât cowrite.â He knew his words were cold, but he couldnât help it. He didnât like allowing anyone access to his thoughts, his feelings.
âI donât want to cowrite the song with you. Iâm not a writer.â
âThen I donât get it,â he said, sounding puzzled as they turned off the highway into the parking lot of the Whiskey River honky-tonk. âWhat are you talking about when you say you want input?â He stopped the car, parked and turned to her, waiting for her answer.
âBy input I mean I want you to get to know me, to know how I feel, who I am.â
âThen letâs do it.â He opened the car door. The music from the honky-tonk spilled into the car. âDo you know how to do the reggae cowboy?â
She shook her head no.
âThe tush push?â
âWhat!â
âThe country two-step?â he finally said.
âThat sounds like something I can handle.â
âAnd here I was sure youâd go for the tush push. See, Iâm getting to know you better already,â he said, with a wink, as they got out of the car.
âWait a minute,â Chelsea said.
âWhy? Whatâs wrong?â
âNothing. I just want you to show me the two-step before we go inside. I donât want to be embarrassed in front of ⦠Well, you know, in case anyone recognizes me.â
âOkay,â he agreed, seeing that she really was nervous. He reached inside the car, hunted up a CD disc that had a song with eighty-five to ninety-five beats a minute, and inserted it in the player.
âYou donât really have to know the steps,â he explained, taking her into his arms. âLots of people just improvise.â And then he proceeded to do just that because he hadnât the faintest idea how to do the two-step.
Before long, she caught on to that fact.
When he stepped on her boot for about the sixth time, Chelsea socked him in the arm. âDakota Law, youâre nothing but a fraud. Why, you donât know nuthinâ âbout dancinâ no two-step. Admit it.â
âI never said I did. I asked you if you did,â he said, unrepentant. âAll I wanted to do was show you a good time on your birthday.â
The CD player stopped, and they heard the band inside the honky-tonk rev up their version of âBoot Scootinâ Boogie.â
âWe can leave if you want to,â Dakota offered.
âNo, I want to go inside and watch the dancers,â Chelsea insisted.
âThen letâs do it.â He reached into the back seat for his white Stetson and jammed it on his head.
âI wish I had one of those to hide under,â Chelsea said wistfully as they entered the club and found themselves awash in a sea of denim, fringe, neon, and flashing lights.
She turned toward the dance floor where a crowd of spectators swarmed around the wooden railing.
âjust a sec,â Dakota said, steering her toward a small store set up inside the dance club.
She looked puzzled until he instructed the clerk to hand over a black cowboy hat for her. âNow maybe we can be incognito,â he said, paying the clerk.
When Dakota had finally elbowed them through the crowd to a good spot at the railing by the dance floor, he asked what she wanted to drink.
âWell, since Iâm in your backyard, I guess Iâll try a mint julep.â At the look of surprise on his face, Chelsea quipped, âUnless youâd rather I order my regular drink.â
âYour regular drinkâ¦?â
Not wanting to disappoint him, she played to her bad-girl image. âYeah,
Lisa Mantchev, A.L. Purol