were standing in the wings, and Bolan found a place behind them in the shadows, concentrating on the lone performer occupying center stage.
"Now, I'm not no ethnician, but..."
A ripple of anticipatory laughter fanned out through the audience and Tommy Anders waited for it to swell, then subside, before he continued with his routine. It was the comic's trade line, and it never failed to preface a lampoon against the dark, ironic side of the American melting pot.
Anders had been successful for a score of years with his routines that gaffed the sacred cows of ethnic sensitivity. His talent for expounding on the obvious made him a figure draw in Miami, Las Vegas, Atlantic City. He was also on another, secret payroll circulated out of Washington, D.C. And as an agent of the Justice Department's Sensitive Operations Group, he had participated in a number of the Executioner's campaigns against the Mafia.
And it had all begun some years before in Vegas.
"I'm not no ethnician," he was saying, "but have you noticed how the Japanese are taking over everything these days? I mean it. Thumbing through a catalog at Monkey Wards, you might as well be looking at the Yellow Pages in a phone booth down at Tokyo and Vine."
Another pause for the laughter, rising now as the audience warmed to his subject.
"Just look at all the patriotic brand names that we're dealing with today." And he was counting on the fingers of one hand as he continued. "There's Akai, Datsun, Honda, Isuzu and Kawasaki, Nikon and Sanyo, Sony and Subaru, Toyota and Yashica." By the time he finished the roster everyone in the audience was laughing, drowning out the ice-cube rattle from their cocktails. "They've even got a Hirohito doll due out for Christmas now, I mean it," Anders continued. "Would I lie to you? You wind him up, he takes some snapshots of your town — and then he buys it."
He paused onstage, waiting for the uproar to die down. There was some appreciative applause amid the laughter now.
"I'll tell you honestly, it's getting so a real American just can't keep up with competition from the East. They tell me that the Japanese are even competing with the Mafia these days. I mean it. Honestly, now, I'm not antiethnic, but..." the other trade line and the audience responded on cue, "we've got to draw the line somewhere and it might as well be in the gutter, right? I mean, who needs a godfather who can't pronounce lasagna?"
He had them and the comic had no intention of letting his audience go until the point was made.
"You ever try to toss a body from a speeding rickshaw? Jeez, it's murder on the coolies. Seriously, though, I understand the Mob is getting nervous nowadays. Some of them are mixing sake in with their spaghetti sauce..."
The music and laughter came up together, and Tommy Anders began to disengage himself from the crowd, thanking them for their attention and waving toward the rear.
Around him the spotlights had begun to dance, and Bolan's show girls moved out onto the stage, distracting the faithful while a similar contingent emerged from the wings on the other side. He broke off an appreciative parting glance and made his way back toward the dressing rooms.
He did not miss the three torpedoes lounging near the door with Tommy Anders's name displayed in cardboard glitter. They were slickly dressed, neatly groomed, hard of eye — and they were Japanese. Mack Bolan casually moved on past them, feeling eyes on his back studying him, sizing him up and filing him away for future reference. He found a corner farther down and ambled on around it.
Tommy Anders would be close behind him now, and Bolan could afford to wait, observing what transpired when East met West. Another Five long minutes passed before the ethnologist arrived, and there was caution in his stride as he approached the Japanese contingent, concern disguised beneath the usual glad-hand smile. He made some offhand comment to the delegates from Tokyo — Bolan could not catch the
Mary Crockett, Madelyn Rosenberg