A Constellation of Vital Phenomena

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thread. She ran a razor blade across the stitching, and removed a few crumpled bills and a folded sheet of notepaper. Akhmed’s stomach clenched as she reached toward the trash can with the note. “Wait,” he said. He knew what was written on it, knew thetime had passed to provide for any final request, but asked anyway. “What does the note say?”
    Deshi frowned. “ ‘ 90 October the 25th Road, Shali ,’ ” she read. “  ‘Return me for burial.’ Too late, my friend. You should have stitched your note to the outside of your trousers.”
    “Where is the body?”
    “Already in the clouds. It’s sacrilege, I know, but they burn nearly every body that isn’t claimed. Can’t come by a body bag these days. The Feds requisition them to make field banyas while on patrol. The strangest thing I’ve ever seen, three hundred soldiers, naked as the day they were born, huddled within black plastic bags that trapped the steam of cold water poured over stone fires. Only a Russian could find pleasure inside a body bag.”
    As she refolded the note and dropped it into the trash can, he wanted to reach out, to snatch the tumbling rectangle before it landed and was lost among the last words of two dozen others who died far from their villages, who were pitched by strangers into furnaces, who were buried in cloud cover and wouldn’t return home until the next snowfall. Akhmed’s own address was written on a slip of folded paper and stitched into his left trouser leg, where with every step it chafed against his leg, awaiting the decent soul that would one day carry him, should he die away from home.
    “What’s his name?” he asked. That man had a sister in Shali who would have given her travel agency—now no more than a once prestigious name—her parents-in-law, and nine-tenths of her immortal soul to hold that note now lying at the bottom of the trash can, if only to hold the final wish of the brother she regretted giving so little for in life.
    In the shoebox the identity cards were layered eight deep. She held a card to the light and set it back down. “He’s one of these,” she said.

    While Sonja spent her afternoon in surgery, Akhmed spent his in the canteen, folding bedsheets into rectangles that soon filled the wicker laundry baskets. At first he had protested, complaining it was the duty of a maid, until Sonja reminded him that those were the only duties he was qualified to perform. While folding he imagined his wife lying on a grayer bedsheet, her head propped on her favorite of their two pillows, the thick foam one that cramped his neck on those nights when they fell asleep sharing it. If she had the energy, she might lift one of his art books from the stack beside the bed. Those hard clothbound covers held worlds of marble statues, woodblock prints, lily pads, bouquets, long-dead generals, and placid landscapes where aristocrats in funny hats pranced around. At night he narrated the scenes to her as if he knew what he was talking about, inventing biographies for every portrait, intrigues for each glance within a frame. Since he had first started skipping first-year pathology to audit still-life drawing classes, he had maintained an abiding interest in art, and for a man who had never been to Grozny, he had amassed a respectable collection of art books. Each morning he reordered the stack so that the first book she reached for was new to her.
    He folded the sheet and set it beside the others. How long since he’d last changed Ula’s sheets? Ten days, at least. She rarely rolled from her side of the bed, and when he carried her to the living room divan and stripped the linens from the mattress, he found her tawny silhouette sweated into the fabric. That musky darkening was so particularly, irrevocably Ula that he would hesitate to wash it. But then, scolding himself for being sentimental, he would fill the basin with soapy water and submerge her outline and watch her disappear. He was losing her

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