is enormous, his neck thicker than his head. Blurred green tattoos run across his knuckles and up his hairy arms. He holds out his hand.
“How do you do,” he says.
“How do you do,” I say, perplexed. I swing around to Camel, who’s zigzagging through the crispy grass in the general direction of the Flying Squadron. He’s also singing. Badly.
Earl cups his hands around his mouth. “Shut it, Camel! Get yourself on that train before it leaves without you!”
Camel drops to his knees.
“Ah Jesus,” says Earl. “Hang on. I’ll be back in a minute.”
He walks over and scoops the older man off the ground as easily as if he were a child. Camel lets his arms, legs, and head dangle over Earl’s arms. He giggles and sighs.
Earl sets Camel on the edge of a car’s doorway, consults with someone inside, and then returns.
“Stuff’s gonna kill the old fellow,” he mutters, marching straight past me. “If he don’t rot out his guts, he’ll roll off the goddamned train. Don’t touch the stuff myself,” he says, looking over his shoulder at me.
I’m rooted to the spot where he left me.
He looks surprised. “You coming, or what?”
W HEN THE FINAL SECTION of the train pulls out, I’m crouched under a bunk in a sleeping car wedged against another man. He is the rightful owner of the space but was persuaded to let me hang out for an hour or two for a price of my one dollar. He grumbles anyway, and I hug my knees to make myself as compact as possible.
The odor of unwashed bodies and clothes is overwhelming. The bunks, stacked three high, hold at least one and sometimes two men, as do the spaces beneath them. The fellow wedged in the floor space across from me punches a thin gray blanket, trying in vain to form a pillow.
A voice carries across the jumble of noise: “Ojcze nasz jest w niebie, sie imie Twoje, królestwo Twoje— ”
“Jesus Christ,” my host says. He pokes his head into the aisle. “Speak in English, you fucking Polack!” Then he retreats back under the bunk, shaking his head. “Some of these guys. Right off the fucking boat.”
“—i nie wódz na pokuszenie ale nas zbaw ode zlego. Amen.”
I nestle against the wall and close my eyes. “Amen,” I whisper.
The train lurches. The lights flicker for a moment and go out. From somewhere ahead of us a whistle screeches. We begin rolling forward and the lights come back on. I’m tired beyond words, and my head bumps unbuffered against the wall.
I wake some time later and find myself facing a pair of huge work boots.
“You ready then?”
I shake my head, trying to get my bearings.
I hear tendons creaking and snapping. Then I see a knee. Then Earl’s face. “You still down there?” he says, peering under the bunk.
“Yeah. Sorry.”
I shimmy out and struggle to my feet.
“Hallelujah,” says my host, stretching out.
“Pierdolsi ,” I say.
A snort of laughter comes from a bunk a few feet away.
“Come on,” says Earl. “Al’s had enough to loosen him up but not enough to get mean. I figure this is your opportunity.”
He leads me through two more sleeping cars. When we reach the platform at the end, we’re facing the back of a different kind of car. Through its window I can see burnished wood and intricate light fixtures.
Earl turns to me. “You ready?”
“Sure,” I say.
I am not. He grabs me by the scruff and smashes my face into the doorframe. With his other hand, he yanks open the sliding door and chucks me inside. I fall forward, my hands outstretched. I come to a stop against a brass rail and straighten up, looking back at Earl in shock. Then I see the rest of them.
“What is this?” says Uncle Al from the depths of a winged chair. He is seated at a table with three other men, twaddling a fat cigar between the finger and thumb of one hand and holding five fanned cards in the other. A snifter of brandy rests on the table in front of him. Just beyond it is a large pile of poker chips.
“Jumped the train,
Henry James, Ann Radcliffe, J. Sheridan Le Fanu, Gertrude Atherton