The essential writings of Machiavelli
arrived in Florence with much pomp, having chosen that city above all others, as it struck him as the ideal place for a man wishing to employ his money in the arts of usury. He adopted the name Roderigo di Castiglia and took a house in the Borgo Ognissanti. 1 So that no one would discover his origins, he let it be known that he had left Spain for Syria as a boy and had made his fortune in Aleppo: He had now come to Italy with the intention of marrying and settling down, as Italy, being more humane and civilized, was more to his taste. Roderigo was quite a handsome man and looked to be about thirty years old, and having within a few days made a show of his great wealth and proven himself kind and generous, he was approached by many noble citizens who had an abundance of daughters but a scarcity of funds. Roderigo’s choice fell upon a beautiful maiden by the name of Onesta, the daughter of Amerigo Donati, who had three other daughters who were almost of a marriageable age, and three grown sons. Amerigo Donati was of a noble family and was very highly regarded in Florence, but he was extremely poor in relation to his large brood of children and social position.
    Roderigo had a magnificent wedding, not omitting any splendor that might be desired. The infernal council had decreed that he was now to be subjected to every human passion, and so he began taking delight in the honors and pomp of the world, and to value society’s approbation. This cost him a significant amount of money. He had not lived long with Madonna Onesta before he fell in love with her beyond measure, and could not bear her being sad or displeased in any way. Along with her nobility and beauty, Madonna Onesta had brought into Roderigo’s house a pride that outshone that of Lucifer. And Roderigo, who had had ample experienced of both, had to admit that his wife’s pride was far superior. But Madonna Onesta’s pride grew by great bounds the instant she perceived the love her husband bore her. She now felt that she could rule him in every way and began ordering him about without mercy or restraint, nor did she delay hurling harsh and hurtful words at him if he hesitated in fulfilling her every fancy. This caused Roderigo great distress. Nevertheless, his father-in-law, her brothers, her family, and the bonds of matrimony, and, above all, his great love for her, made him bear his plight with patience.
    I shall pass over the vast expenditure he made in his attempts to appease her by dressing her in the latest fashions and styles that our city knows to vary with infinite resourcefulness. I will also pass over how Roderigo, in his quest for domestic peace, assisted his father-in-law in marrying off his other daughters, here too spending great amounts of money. To appease Madonna Onesta he was forced to send one of her brothers eastward with linen, another westward with silks, and set up her third brother as a gold beater in Florence, enterprises that depleted the greater part of his fortune. Then came the Carnival of San Giovanni, when by ancient custom the whole city revels and celebrates, and all the noblest and richest citizens make a great show with splendid banquets. Here Madonna Onesta would not be eclipsed by any other Florentine lady, and insisted that Roderigo’s feasts outshine those of all the others.
    Roderigo bore these trials for the reasons I have mentioned, and no expenditure, however vast, would have seemed excessive had it brought a measure of harmony to his house, giving him some peace of mind as he awaited his approaching ruin. But the opposite was the case, because the outlandish expenses and Madonna Onesta’s insolent nature caused him infinite distress. No servant in the house could bear her ways for more than a few days. As a result Roderigo’s dealings suffered, as he could not keep a single loyal servant who could see to his affairs. Even the devils he had brought with him as manservants preferred to return to Hell and roast in fire

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