Free Eve and Adam by Michael Grant, Katherine Applegate Page A

But some part of my brain is screaming something about it being real and getting shot and oh please no and I don’t want to die and no no no, even though on the outside I’m pretty sure I look calm.
    “Get the hell out of here,” the thug says.
    This is when I learn the useful thing about electric cars: There’s no roar of a gas engine when you stomp on the accelerator. Which is what Solo does, with the car in reverse and the wheel turned sharply.
    The car jerks back so hard it’s like we’ve been hit again, and for a second some confused part of my brain half wonders if I’ve been shot. But no: no bang noise.
    The front left bumper swings back hard, right into Leather Jacket.
    It’s a glancing blow. Nothing like the blow that knocked my leg clean off. But there’s no such thing as a love-tap when a car hits you.
    Leather Jacket is down, down hard, on his back in the grass. One leg’s beneath the car and his gun is on the grass behind his head.
    He doesn’t reach for either. He tries to sit up. It’s a bad move because Solo thrusts his door open and hits him in the face with it. Down goes Leather Jacket again, and this time he’s not going to get up soon.
    It all happens so fast, too fast to parse out the individual actions, a blur of flash images, sudden jerks, jolts, noises, cries, crunches, the leap-back of T-shirt.
    We hear shouts. Two guys are running toward us from the direction of the still-unseen lake. T-shirt is yelling, but he doesn’t know what to do. The two new arrivals run, see their friend down on the ground, see us, slow down. If one of them has a gun, I tell myself, he would have pulled it out by now.
    “Let your boyfriend know he can come out, it’s safe,” Solo instructs Aislin in an amazingly calm voice.
    I turn to see if she’s okay. Her fingers are trembling as she tries to text.
    The car is still in reverse. Solo eases it backward until the left front wheel encounters an obstacle. It’s Leather’s leg.
    Solo says, “We’re here to pick up our friend. If you let him through, no problem. If you don’t, then I’m going to back right over your friend’s leg.”
    Maddox appears. He’s soaking wet, muddy from his sneakers to his chest. Dead leaves and sticks cling to him like a halfhearted attempt at camouflage.
    He’s a good-looking guy, Maddox is, in a hulky, fullback kind of way. Although right now, terrified and soggy, he just looks pathetic.
    “Get in!” Aislin yells.
    Solo waits until he’s buckled up. “Pull your boy out from under and call an ambulance,” he instructs the three glaring thugs.
    “Everyone ready?”
    Oh, we’re ready.
    We pull away and Solo says, “It’s so much easier when you don’t have to worry about surveillance cameras.”
    Maddox hugs Aislin like a drowning man grabbing the last life preserver. She tolerates it for a few seconds, then punches him in the chest and pushes him away.
    “Hey!”
    “Dumbass!” she screams.
    I’m ignoring them because I can’t stop staring at Solo, who is driving away with quiet competence, merging into traffic and turning into the Sunset District.
    “How did you…,” I begin, but I don’t really know how to finish the question.
    He emits a short bark of a laugh. “The rat who runs the maze every day develops some moves. And I am the boss rat.”
    It’s not a joke. He tries to pretend it is, but there’s something there, seething beneath the surface.
    We drive in silence. At least the front seat is silent. Aislin and Maddox are alternately yelling and making out.
    “I have to get the car back,” Solo says. “There’s a short window of time.”
    I twist around in my seat. “Aislin, you need to come with me.”
    “She’s going with me,” Maddox says. He’s sullen, not his usual charming self. Really, he is charming. But not when he’s scared and muddy and shaky with the aftereffects of adrenaline, I guess.
    I know, because I’m shaky myself. I didn’t actually have time to be scared. The whole