Free 2 The Weed That Strings the Hangman’s Bag: A Flavia De Luce Mystery by Alan Bradley Page A

them, officers and men, as outcasts from the society of decent men.”
    Although I respected Father’s word—at least in principle—it was clear that the man who had greeted us at Culverhouse Farm was no outcast; not by any stretch of the imagination.
    Five years after the coming of peace, he could only be wearing his bull’s-eyed boiler suit out of pride.
    “May I present myself? I am Dieter Schrantz,” he said, with a broad smile, shaking hands with each of us in turn, beginning with Nialla. From those four words alone, I could tell that he spoke nearly perfect English. He even pronounced his own name the way any Englishman would have done, with hard rs and as and no unpleasant snarling of his surname.
    “The vicar said that you should come.”
    “Bloody van broke down,” Rupert said, jerking his head towards the Austin with, I thought, a certain measure of aggressiveness. As if he …
    Dieter grinned. “Don’t worry, I’ll help you run it down the lane to Jubilee Field. That’s where you’re billeted, you know, old chap.”
    Old chap? Dieter had obviously been in England for quite some time.
    “Is Mrs. Ingleby at home?” I asked. I thought that it was probably best if Nialla was given a tour of the amenities, as it were, before she had to ask.
    The shadow of a cloud passed over Dieter’s face.
    “Gordon’s gone off up the wood somewhere,” he said, gesturing to Gibbet Hill. “He likes to work alone most of the time. He’ll be down presently to help Sally in the meadow. We shall see them when we take your ’bus down to the river.”
    “Sally” was Sally Straw, a member of the Women’s Land Army, or “Land Girl,” as they were called, who had been working at Culverhouse Farm since sometime during the war.
    “All right,” I said. “Hullo! Here’s Tick and Tock.”
    Mrs. Ingleby’s two tortoiseshell cats came ambling out of a shed, yawning and stretching in the sun. She often took them with her, for company, to the market, as she did several of her farm creatures, including, now and then, her pet goose, Matilda.
    “Tick,” she had informed me once, when I inquired about their names, “because she has ticks. And Tock because she chatters like a magpie.”
    Tock was walking directly towards me, already well launched into a meowling conversation. Tick, meanwhile, ambled off towards the dovecote, which rose up darkly from behind the warren of shabby, overgrown sheds.
    “You go on ahead,” I said. “I’ll come down to the field in a few minutes.”
    I swept Tock up into my arms. “Who’s a pretty pussy, then?” I cooed, watching from the corner of my eye to see if anyone was taken in. I knew that the cat was not: She had begun to squirm immediately.
    But Rupert and Nialla were already piling into the van, which still stood shuddering away to itself in the yard. Dieter gave a shove and climbed onto the running board, and a moment later, with a wave, they were bumping out of the yard and into the lane that led down the slope to Jubilee Field and the river. A gentle backfire in the middle distance confirmed their departure.
    The moment they were out of sight, I put Tock down in the dusty yard.
    “Where’s Tick?” I said. “Go find her.”
    Tock resumed her long feline monologue, and stalked off to the dovecote.
    Needless to say, I followed.

• SEVEN •
    THE DOVECOTE WAS A work of art. There’s no other way of putting it, and I shouldn’t have been in the least surprised to hear that the National Trust had its eye on it.
    It was from this remarkable specimen of architecture that Culverhouse Farm had taken its name—“culverhouse” being the old word for a dovecote. This one was a tall round tower of ancient bricks, each one the shade of a faded rose, but no two of them alike. Built in the time of Queen Anne, it had once been used to breed and raise doves for the farm’s dinner table. In those days, the legs of the little dovelets were snapped to keep them fattening in the nest