you can
be a bitch,” she said, anger snaking beneath the
words. “You can be dumb as dirt, mean-spirited,
hurt people—and still, you’ll never be alone.” She
shook her head. “No one cares about what you’ve got
going on the inside—at least not until they like the
package on the outside. Forget character: the thing to
do is pretty up, like they say on TV. Pretty up by any
means necessary. My dad doesn’t get that—because
it’s different for him, being a man and all. But for a
girl . . . for a woman . . .” she sighed, as world-
weary as any sixty-year-old. “I’m sorry, Officer
Marks. I’m sure you’re a nice lady . . . but I don’t
want to be anything like you. Not ever.”
Penny shuddered, whether from the cold or from
72
Karyn Langhorne
the words she’d spoken or the thought of being like
Audra, Audra didn’t know. But with a quickly mut-
tered, “goodbye,” she disappeared back inside the
restaurant, leaving Audra very much alone.
Chapter 6
“My God, Audra! Do you have any idea what
time—”
Audra ignored her mother, thrust her arm deeper
into the junk-food cabinet and swept a four-pack of
mini-puddings, a canister of potato chips and two
bags of cookies into the waiting garbage bag with a
single swipe.
She knelt on the kitchen floor in her bra, the but-
ton at the waist of her tight black pants loose, her
new yellow chiffon top in a puddle on the floor be-
side the spikey high heels.
“What on earth are you doing?” her mother de-
manded, standing over her in her bathrobe, her
hairdo now concealed under a colorful do-rag.
“What does it look like?” Audra snapped, crawl-
ing deeper into the cabinet. “I’m going on a diet.
Again. Are you happy now?” She pulled out a small
bag of Halloween candy she’d forgotten was back
there. She dumped it into the waiting plastic bag
74
Karyn Langhorne
along with a half-eaten box of ancient crackers and
then rose, letting the cabinet door slam.
“You’re gonna wake Kiana—”
“I’m not gonna wake Kiana, Ma,” Audra said
tightly. She moved around the kitchen, opening
doors and drawers, pulling out a bottle of chocolate
syrup here and a package of marshmallows there
until the garbage bag was too heavy to hold any
more. She let it slip to the floor and turned toward
Edith, breathing hard with her efforts.
Her mother stared at her. For a brief time the two
women considered each other, then Edith shook her
head.
“So, I’m guessing it didn’t go well with your
Bradshaw,” she said in a tone that suggested she
was trying very hard not to sound smug and failing
miserably. “I don’t want to say ‘I told you so’—”
“Then don’t,” Audra snapped, dragging the
garbage bag toward the front door.
“That’s just how men are, Audra,” her mother
continued, following her. “It’s not that they’re not
interested in the rest of the package, but they appre-
ciate the efforts we make on the outside—”
Esmeralda Prince rose like a vision in Audra’s
mind. Art Bradshaw appreciated the outside, all
right. That much was very, very clear.
Audra opened the front door, dragged the
garbage bag of junk food out into the corridor and
slammed the door on it like it was an unwelcome
guest. Edith shook her head.
“So you’re going on a diet. Again. Do you have to
make such a production out of everything? After
DIARY OF AN UGLY DUCKLING
75
you lose a few pounds and do something with your
hair, there’ll be plenty of men—”
Audra whirled on her, angry words rising in her
throat as she stared into her attractive cinnamon
face.
“Will there, Ma? Is that all it takes—twenty
pounds and a hair weave?” she gestured at herself,
bra and all. “Look at me, Ma. When is the last time I
had a date, huh?”
“Back when you were in criminal justice school, I
think,” her mother frowned calling up a memory.
“Nice boy. Leon or Larry or
Dean Wesley Smith, Kristine Kathryn Rusch
Martin A. Lee, Bruce Shlain