two-story iron front door. “Although we probably have a lot more
not
in common.”
Delacroix’s face remained stony. He pressed a button, and the full chorus of Beethoven’s “Ode to Joy” resonated through speakers. The doors split and a third guard took over. He was young, white, and muscular with a thick neck and a military buzz cut for hair. He introduced himself as Thor Weillsohn, leading them down a marble hallway into a reception room, modest in size but not in ornamentation. The furniture was all-white curlicue legs and backs, upholstered in jacquard blue silk. Persian rugs lay over a parquet walnut floor, and tapestries hung from white paneled walls. Angels and cherubs hovered above in a sky filled with puffy clouds.
“Ms. Talbot will be with you in a minute,” Thor told them. He left, closing two white paneled doors behind him. Both of them remained standing, neither wanting to park a butt on something that was breakable and/or priceless. Oliver let out a low whistle.
Marge said, “I guess Hobart gave her a decent settlement.”
“How old is this woman?”
“In her fifties. She was in her twenties when she married him.”
“She did well.”
Another minute passed, and then the doors opened. This time it was a uniformed maid carrying a tea and coffee service, three cups and saucers, and a plate of cookies. “Please have a seat on the divan.”
Marge and Oliver looked at each other and sat down simultaneouslyon what they thought was the divan. It wasn’t padded much and was ramrod stiff on the back.
The housekeeper said, “May I pour for you?”
“Thank you,” Marge said. “That would be lovely.”
“Tea or coffee?”
“Coffee. Just milk.”
“Same for me,” Oliver said. “Thank you.”
She set the service down on a table and poured in silence. Then she passed around the cookie tray. They each took one out of politeness and placed it on the saucer. The maid put the cookie plate and napkins on a coffee table, and then she left.
“This is all good stuff,” Oliver said. “Do you think if I turned on enough charm, Ms. Talbot might give me a roll in the hay?”
“No.”
“Don’t be too vague, Dunn. Tell me what you really think.”
“I like this lemon bar. If I didn’t think I was being watched, I’d sneak a few up in a paper napkin and hide them in my purse.”
Oliver laughed. Five more minutes passed and then a rush of wind burst through the doors. The detectives stood up.
The woman was a presence: over six feet with broad shoulders, slim hips, and a mane of blond hair. She had blue eyes, high cheekbones, and pale skin. There was spiderwebbing at the corners of the eyes and mouth, but none of that shiny stretched skin common to plastic surgery. She was dressed in a dirty shirt and gardening pants, a floppy hat on her head. She tossed the chapeau on the French furniture.
“Gawd, I’m a mess.” She checked her hands then offered them to Marge and Oliver. “Sabrina Talbot. Sorry about the dirty fingernails. Even with gloves, I lunched my French manicure. Nails and gardening don’t mix.” She brushed off her pants, bits of dirt falling on the Persian rug, and then sat down on a chair. “Sit, sit. And don’t worry if you spill. I reupholster the furniture every two years. It’s about that time. I’m thinking of going deco. I was in my ‘ice’ phase when I did this room. Now it reminds me of an igloo. Sit, sit.”
The detectives sat, introduced themselves with each of them giving her a card.
“I know that you’re here about Hobart.” A single tear down the cheek. “Who would want to harm an eccentric old man?”
“So you know he was murdered,” Marge said.
“Gracie phoned me last night. It was a brief conversation, and she was also short on the details. I’m hoping you can fill me in on what happened.”
“Gracie is Graciela Johannesbourgh?” Marge asked.
“Yes.”
“So you’re still in contact with Mr. Penny’s daughter.”
“Gracie and I