don’t want any of those things,” I retorted, “and even if I did, I could probably do them for myself. My mother is rich in herb lore and so am I. I have a request, Great One.”
This time the voice was amused. “Only Pharaoh is the Great One,” he answered, “and it is impossible to flatter me. I know my own worth, but it seems that you have an inflated opinion of yours. How rich in herb lore can an unlettered urchin from this backwater of Egypt be? And how unique a request can she put forward? Shall we see? Or shall I go back to sleep?”
I waited, my hands sliding to clasp each other behind my back as though I was about to be reprimanded. The air in the cabin was close, faintly perfumed with jasmine. The smell made me feel slightly dizzy. My knees and elbows were now throbbing, and water was still dripping from my hair and running between my breasts and down my spine. I supposed that there might be a puddle at my feet. I peered through the cloying dimness, striving to see that head more clearly yet for some reason dreading to do so. The sheet whispered again. The man stood up. He was very tall. “Very well,” he said wearily at last. “Make your request.”
My throat went dry and I was suddenly thirsty. “You are a Seer,” I managed huskily. “I want you to See for me. Tell me my future, Master! Am I condemned to live out my days in Aswat? I must know!”
“What?” he responded with tired humour. “You do not ask for the name of your future husband? You do not want the number of your children or of your days? What kind of a village brat are you? A nasty, small-minded, unsatisfied one perhaps. Consumed with greed and arrogance.” There was a silence in which he went very still. Then he said, “But perhaps not. There can also be simple desperation. What is your gift? What can a kneader of the Aswat dung possibly offer in exchange for this mighty revelation she so blithely demands? A handful of bitter herbs?”
This was the heart of the matter. I swallowed. My throat hurt. “I have only one gift precious enough in my eyes to present to you,” I forced out, and got no further, for at that he began to laugh, sitting down on the cot. I could see his shoulders shake. His laughter was raw, a painful sound, as though he was not used to mirth.
“I know what you are about to say, little peasant girl,” he choked. “I don’t need the water and the oil to predict your offer. Gods! You are poor, your hands and feet are coarse with labour. At this moment you stink of river mud and you are doubtless naked. And you thought to offer yourself to me. Supreme arrogance! Insulting ignorance! I think it is time to take a look at you.” He bent, uncovering a tiny brazier in which a coal glowed faintly, illuminating nothing but the hands that cupped it. I tensed. There was something wrong with those hands, something terrible. He leaned to the table where the lamp was, and suddenly the room burst into light. The disordered cot was of darkly polished wood inlaid with gold, its feet like the paws of an animal. The linen rumpled over it was finer than anything I had seen, transparent and glowing white. The lamp flooding the cabin with radiance must be white alabaster. I had never seen this stone before but I knew about it—how brittle it was, how it could be ground so thin that you could see the outline of your hand through it, or a picture painted on the inside of a bowl or lamp. The floor covering on which I stood was red …
And so were his eyes, the pupils red as two drops of blood, the irises glittering pink. His body was the colour of the sheet he had wound about his waist, white, all white, and the long pale hair that fell to either side of his face to rest upon his shoulders was white too. The lamplight found no glint of gold in it, no sheen of colour on his body. The whiteness was so stark that it reflected nothing back. I was looking at death, at a demon whose only life lay shockingly in those dreadful red
Henry James, Ann Radcliffe, J. Sheridan Le Fanu, Gertrude Atherton