Therapy

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Authors: Jonathan Kellerman
Down the block were an auto-painting franchise and a private school housed in what had once been a residential duplex. Beyond those sat a florist and a pharmacy advertising discounts for seniors. Traffic on Olympic was nonstop and freeway-deafening.
    Koppel’s building had a windowless front, with brick facing painted the color of wet sand. No identifying marks other than black plastic address numerals too small to read from across the street. The front door was locked, and a sign said to enter through the rear. Behind the structures was a six-space parking lot backed by an alley. Three slots marked RESERVED were occupied by small, dark Mercedes sedans, not unlike Jerry Quick’s.
    I fed a meter on Palm and made my way over.
    The ground floor was a long, dim, red-carpeted corridor that ran along the east side of the building and had the popcorn smell of a theater lobby. One occupant: an outfit called Charitable Planning. An arrow painted on the wall directed me to the stairway and when I got there faux-bronze letters specified what awaited me on the second story.
    PACIFICA-WEST PSYCHOLOGICAL SERVICES
    Upstairs was pewter-colored industrial carpeting, blue-gray walls, better lighting. Unlike the first floor, no long hallway. Progress was halted by a perpendicular wall set ten feet in. A single door was marked RECEPTION.
    Inside was a large unoccupied waiting room set up with blue tweed chairs and coffee tables stacked with magazines. No reception window, just a door and three signs. FRANCO R. GULL, PH.D., MARY LOU KOPPEL, PH.D., ALBIN A. LARSEN, PH.D.
    Larsen was the human rights activist with whom Koppel had shared some of her prison reform interviews. Feeding two practices for the price of one.
    Next to each sign was a call button and a tiny, faceted bulb. A sign instructed patients to announce themselves with a button push. A clear light meant the doctor was free, red signified Occupied.
    Gull’s and Larsen’s lights were red, Koppel’s wasn’t. I announced myself.
    *
    A few moments later, the blank door opened, and Mary Lou Koppel stood there wearing a red short-sleeved cashmere top over white linen pants and red shoes. In person, her dark eyes were nearly black. Clear and bright and inquisitive, and all over me. Her hair was tinted lighter than in the photos, she’d put on a few wrinkles, her bare arms were soft, freckled, plumper than the rest of her. Yellow diamond cocktail ring on her right index finger. Big canary-colored stone, surrounded by tiny sapphires. No wedding band.
    “Yes?” she said. Smooth, soft, low-pitched voice. Radio voice.
    I gave her my name, handed her the card that says I sometimes consult to the police. She read the small print. “Delaware.” She handed it back, looked into my eyes. “That’s an unusual name . . . have we met?”
    “A few years ago, but only telephonically.”
    “I’m afraid I don’t understand.”
    “The Wetmore divorce case. I was assigned by the court to make custody recommendations. You were Teresa Wetmore’s therapist.”
    She blinked. Smiled. “If I recall correctly, I wasn’t very cooperative, was I?”
    I shrugged.
    “Unfortunate,” she said. “What I couldn’t tell you at the time, Dr. Delaware—what I probably still shouldn’t tell you—was that Terry Wetmore tied my hands. She didn’t like you one bit. Didn’t trust you, forbade me to divulge anything to you. It put me in a bit of a bind.”
    “I can imagine.”
    She placed a hand on my shoulder. “The rigors of our profession.” Her hand lingered, trailed my jacket sleeve, dropped. “So what brings you here today—what else can I not cooperate with you about?”
    “Gavin Quick.”
    “What about Gavin?”
    “He was murdered two nights ago.”
    “Mur—oh my God. Oh, no . . . come in.”
    *
    She led me through a short corridor, past a copying machine and a watercooler, to one of three doors at the rear. Her office was paneled in slabs of pale bird’s-eye maple, carpeted in

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