surroundings. He recognised Kathryn Kent’s address: Clement Attlee Court comprised old council blocks, many of which had now been sold off into private hands. Ugly square brick towers with balconies on every floor, they sat within a few hundred yards of million-pound houses in Fulham.
There was nobody waiting for him at home and he was full of coffee and pastries after his long afternoon in Caffè Nero. Instead of boarding the Northern line, he took the District line to West Kensington and set out in the dark along North End Road, past curry houses and a number of small shops with boarded windows, folding under the weight of the recession. By the time Strike had reached the tower blocks he sought, night had fallen.
Stafford Cripps House was the block nearest the road, set just behind a low, modern medical centre. The optimistic architect of the council flats, perhaps giddy with socialist idealism, had given each one its own small balcony space. Had they imagined the happy inhabitants tending window boxes and leaning over the railings to call cheery greetings to their neighbours? Virtually all of these exterior areas had been used by the occupants for storage: old mattresses, prams, kitchen appliances, what looked like armfuls of dirty clothes sat exposed to the elements, as though cupboards full of junk had been cross-sectioned for public view.
A gaggle of hooded youths smoking beside large plastic recycling bins eyed him speculatively as he passed. He was taller and broader than any of them.
‘Big fucker,’ he caught one of them saying as he passed out of their sight, ignoring the inevitably out-of-order lift and heading for the concrete stairs.
Kathryn Kent’s flat was on the third floor and was reached via a windswept brick balcony that ran the width of the building. Strike noted that, unlike her neighbours, Kathryn had hung real curtains in the windows, before rapping on the door.
There was no response. If Owen Quine was inside, he was determined not to give himself away: there were no lights on, no sign of movement. An angry-looking woman with a cigarette jammed in her mouth stuck her head out of the next door with almost comical haste, gave Strike one brief searching stare, then withdrew.
The chilly wind whistled along the balcony. Strike’s overcoat was glistening with raindrops but his uncovered head, he knew, would look the same as ever; his short, tightly curling hair was impervious to the effects of rain. He drove his hands deep inside his pockets and there found a stiff envelope he had forgotten. The exterior light beside Kathryn Kent’s front door was broken, so Strike ambled two doors along to reach a functioning bulb and opened the silver envelope.
Mr and Mrs Michael Ellacott
request the pleasure of your company
at the wedding of their daughter
Robin Venetia
to
Mr Matthew John Cunliffe
at the church of St Mary the Virgin, Masham
on Saturday 8th January 2011
at two o’clock
and afterwards at
Swinton Park
The invitation exuded the authority of military orders: this wedding will take place in the manner described hereon. He and Charlotte had never got as far as the issuing of stiff cream invitations engraved with shining black cursive.
Strike pushed the card back into his pocket and returned to wait beside Kathryn’s dark door, digging into himself, staring out over dark Lillie Road with its swooshing double lights, headlamps and reflections sliding along, ruby and amber. Down on the ground the hooded youths huddled, split apart, were joined by others and regrouped.
At half past six the expanded gang loped off together in a pack. Strike watched them until they were almost out of sight, at which point they passed a woman coming in the opposite direction. As she moved through the light puddle of a street lamp, he saw a thick mane of bright red hair flying from beneath a black umbrella.
Her walk was lopsided, because the hand not holding the umbrella was carrying two heavy carrier