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Private investigators - Germany - Bonn,
Missing persons - Investigation
screwdriver for 9.99, and gray overalls for 29.90 at a sale. Then I was ready to make my appearance as a demigod in gray at Frau Salger's sickbed.
19
Why don't you go, too?
The taxi driver in front of the train station was pleased. The trip to the Drachenfelsstrasse in Hangelar is one of the good longer fares. But when I struggled into my gray overalls on the backseat, he peered at me, frowning, through the rearview mirror, and when I walked through the garden gate carrying the TV set, his wary eyes followed me. He waited with the engine running; I have no idea why. I rang twice. There was no answer, but I didn't go back to the taxi. He finally drove off. Once I could no longer hear him, there was total silence. Sometimes a bird chirped. I rang a third time, the doorbell echoing and dying away like a weary sigh.
The house was big, and there were tall old trees in the garden. Only the fence was as I had imagined it. I made a wide detour over the lawn and reached the terrace at the back. She was sitting on a wicker lounger under an awning with green and white stripes. She was asleep. I sat down across from her on a cane chair and waited. From a distance, she could have been Leo's sister. Close up, her face was deeply furrowed, her shoulder-length ash blond hair had gray strands, and her freckles had lost their mirth. I tried to immerse my own face in those furrows and gauge the inner state that would correspond to them. I felt the harsh wrinkles over my own nose and the sharp lines in the corners of my eyes as I defensively strained to narrow them.
She woke up, and her gaze, blinking carefully, flitted over me, to the bottle on the table, and back to me again. “What time is it?” She burped, and a haze of alcohol wafted over to me. I ruled out a stroke, too.
“A quarter past six. You have—”
“Don't think you can hoodwink me like that. You haven't been here since six!” She burped again. “So I won't let you charge me from six. You can go fix my TV now. It's over there on the left.” Her hand pointed to the terrace, seized the bottle on the way back, and poured a glass.
I remained seated.
“What're you waiting for?” She downed the glass.
“Your TV can't be repaired. Here, I've brought you a new one.”
“But mine is …” Her voice became whiny.
“OK then, I'll take your set back to the shop with me. I'll leave you this one here anyway.”
“I don't want that thing.” She pointed at the 129-mark television as if it had a disease.
“Then give it to your daughter.”
Surprise livened her glance for an instant. She asked me in a normal voice to bring her a bottle from the refrigerator. Then she sighed and closed her eyes. “My daughter …”
I went to the kitchen to get the gin. When I came back onto the terrace, she was asleep again. I took a tour of the house and found a room on the second floor that I guessed had once been Leo's. On the corkboard above the desk were several photos of her. But the closet, the bureau, the desk drawers, and the bookshelves revealed as good as nothing about the room's former occupant. She had played with stuffed animals, had worn Betty-Barclay clothes, and read Hermann Hesse. If the drawings on the wall that were signed L. S. were hers, she definitely had a knack for sketching. She had been a fan of an Italian pop star who was smiling from a poster on the wall and whose records stood on the shelf. I was at a loss. I sat down at her desk and studied the photos more carefully. With the opening at knee height, the desk had been built as if each minute a young girl spent sitting there was a minute wasted. As if the idea was to keep girls from learning the basics of reading, writing, and arithmetic. I have my doubts: Is this really the way to solve the issue of women's emancipation?
I took along Leo's photo album, a thick volume with a linen cover that documented her life from the cradle to her first day at school, the school dances, class excursions, her