eating, and says, âTake American out, shoot him.â My wifeâs sister was in the Brando film.â
âHave a sandwich.â
âI am honored,â Masuto said, taking the sandwich gratefully. He was starved. He bit into it and chewed thoughtfully and then said, âDidnât anyone like Tulley?â
âEveryone loved him. He received over a thousand letters a weekâfans. They adored him. In Chicago, they tore off his pants.â
âJust between you and me, Mr. Andersonâwho do you think killed him?â
âHave some coffee.â
âOf course,â Masuto said, accepting the coffee, âthatâs the trouble with this case. Every one of you knows who the killer is. Maybe the candidate isnât the same in every case, but you all know. Only, thereâs one thing you apparently canât get into your respective skullsâthat this killer is a homicidal maniac, and that he will kill again and again and again.â
âThatâs your guess.â
âNo. That the way the symbols are arrangedâbut you donât believe in symbols anymore, and you donât see them. You are a people enlightenedââ
The loudspeaker intercom on Andersonâs desk crackled at that moment, and his secretary said, âI have a call for Detective Sergeant Masuto.â
âAny name?â Masuto asked.
âOh, yes. She said you would know her. Her name is Samantha.â
Anderson reached for the phone, but Masuto gripped his arm and said quickly, âDo you have a private line in the office?â
âThere, in the corner,â pointing to a phone on an end table next to the couch.
âGet on it. Call the operator. Use my name, give her the main number, and trace us. Quick.â
Then, as Anderson ran across the room to the other phone, Masuto lifted the one on the desk and said, âHello. This is Sergeant Masuto.â
âAll right, Masutoâthis is Samantha. Now listen carefully. I am not going to repeat.â The voice was the precise, controlled theatrically trained voice of a professional.
âNow wait a minute. Let me get my pad.â
âCome off it, Masuto. I know youâre having the call traced right now. That will take you at least eleven minutes. I donât propose to give you more than five.â
âYouâre optimistic if you think we can trace a call in eleven minutes. How do I know youâre Samantha?â
âHow? Because I know what went on in that lousy trailer room when that little louse, Sidney Burke, arranged for his gangshag.â
âA good many ladies seem to know,â Masuto said.
âNo, no. Not at all. Let me give you the rundown, Sergeant. Max Green was in that room, and heâs deadââ
âWho is Max Green?â Masuto interrupted.
âInterrupt me once more, mister, and I hang up. Now are you ready to listen?â
âGo ahead.â
âMax Green was there, and heâs dead. A rotten little creep called Fred Saxton was there, and heâs dead. Al Greenberg was there and heâs dead. Mike Tulley was there, and heâs dead. Which leaves Jack Cotter, Murphy Anderson and Sidney Burke. Four down, three to go. You know, Sergeant, just to convince that heathen and doubting Oriental mind of yours, the gun that killed Mike Tulley was a 32-caliber Smith and Wesson. It was his wifeâs gun. I shot him three times in the chest. None of that has been on the air yet. Check me and see. As for the other threeâtell them to expect me.â
She hung up, and Masuto replaced the phone and said to Anderson, âLet it go, Mr. Anderson. Sheâs off.â
âWas it Samantha?â he asked eagerly.
âThatâs what she said.â
âWhat else did she say?â
Almost word for word, Masuto repeated what the woman had saidâall of it, leaving nothing out, and watching Murphy Andersonâs face as he spoke. At the end, he
J.A. Konrath, Bernard Schaffer