more immediate problem," said Steiger.
"I know," said Delaney. "If what our friend from last night said is true and Pelias does have spies everywhere, then it would explain why he and his friends in Iolchos are anxious to keep their identities a secret. On the other hand, what if the man you followed was sent by Pelias and you were knocked out to prevent you from discovering that? That high priest seemed unusually solicitous, don't you think?"
"For someone who thinks T.I.A. agents are paranoid, you've got a very suspicious nature," Steiger said.
"Being careful isn't quite the same thing as being paranoid," Delaney said. "I won't argue the point, though. I'm more concerned about what it might indicate if the high priest wasn't involved."
"Meaning?"
"What about what happened at the Shrine of Delphi?"
"What about it?" Steiger said. "You didn't buy that cheap display, did you? Or do you really think supernatural events are natural here?"
"I don't know," Delaney said. "If they are, then we've bought into a lot more trouble than we bargained for. How do you fight magic? And if the high priest didn't arrange that little demonstration, then who did?"
Whoever had arranged for Argus to be paid did so in a clandestine manner. The payment was made in the middle of the night, by a man wrapped in a dark hooded cloak, and the instructions were given to the sleepy shipwright in a muffled voice. Not that Argus seemed to care much, one way or the other. He had been given a commission and the payment had been made in full, that was all that mattered to him. The next day, he hired laborers and began work on the galley.
Exhibiting a rare pragmatic streak, Jason signed himself and his first three Argonauts on as boat builders.
In this manner, they were paid the same wages as the other workers out of the funds collected by their mysterious sponsors. This enabled them to secure more comfortable quarters on the waterfront. The lean-to was abandoned without regret.
The galley was the most ambitious project Argus had ever undertaken and he regarded it as a challenge.
He was especially pleased that Jason did not get underfoot when it came to the design work, for no craftsman likes to take up a commission and then suffer the instructions of the client when the client clearly doesn't know the first thing about the craft.
The design Argus came up with for the galley was based upon that of a flat-bottomed Egyptian trader's boat he had once seen, only he modified it with a deep keel and a larger mast, as well as increased dimensions. The galley would be constructed out of pegged cedarwood, caulked and lapstraked so that the boards overlapped each other, giving the hull greater rigidity and strength. It would be sixty-five feet long and twelve feet in the beam, with one mast for a large lateen sail set slightly forward of amidships and a small wooden deckhouse aft, atop which would be the steersman's station at the massive oaken tiller. It was to be a ship meant for speed and sea-kindliness, not creature comforts. Its design was somewhat similar to that of later Viking boats.
As the keel was laid, volunteers for Jason's voyage started to arrive. The twin brothers, Castor and Pollux, were among the first to sign on for the adventure. Then came Telamon and Oileus, the fathers of the two Ajaxes who fought upon the plains of Troy. Tiphys, who had made many sea voyages, would be the steersman, and after him came Butes, said by many to be the fairest of all men. Andre shrugged and said she found him perhaps a bit
too
fair. Ancaios, who could read the stars, would be their navigator and Meleager, slayer of the Caledonian Boar, came in search of greater challenges. There were Mopsus the astrologer and Idmon the soothsayer; Caeneus the fighter; Theseus, who killed the Minotaur; and Orpheus the harpist and singer who, the others said, had actually been to Hades and returned to tell the tale-or sing the song, depending on the preferences of the