Free Planet Of Exile by Ursula K. LeGuin Page B

the blizzards until midwinter when the snow did not melt and nothing lived but the rootless snowcrop, already were pushing up through the trampled ground under the wall. Always something lived, each creature biding its time through the great Year, flourishing and dying down to wait again.
    The long hours went by.
    There was crying and shouting at the northwest corner of the walls. Men went running by through the ways of the Little city, alleys wide enough for one man only under the overhanging eaves. Then the roar of shouting was behind Wold's back and outside the gate to his left. The high wooden slidegate, that lifted from inside by means of long pulleys, rattled in its frame. They were ramming a log against it. Wold got up with difficulty; he had got so stiff sitting there hi the cold that he could not feel his legs. He leaned a minute on his spear, then got a footing with his back against the buttress and held his spear ready, not with the thrower but poised to use at short range.
    The Gaal must be using ladders, for they were already inside the city over at the north side, he could tell by the noise. A spear sailed clear over the roofs, overshot with a thrower. The gate rattled again. In the old days they had no ladders and rams, they came not by thousands but in ragged tribes, cowardly barbarians, running south before the cold, not staying to live and die on their own Range as true men did... . There came one with a wide, white face and a red plume in his horn of pitch-smeared hair, running to open the gate from within. Wold took a step forward and said, "Stop there!" The Gaal looked around, and the old man drove his six-foot iron-headed spear into his enemy's side under the ribs, clear in. He was still trying to pull it back out of the shivering body when, behind him, the gate of the city began to split. That was a hideous sight, the wood splitting Like rotten leather, the snout of a thick log poking through. Wold left his spear in the Gaal's belly and ran down the alley, heavily, stumbling, towards the House of his Kin. The peaked wooden roofs of the city were all on fire ahead of him.

CHAPTER EIGHT: In The Alien City
    THE STRANGEST thing in all the strangeness of this house was the painting on the wall of the big room downstairs. When Agat had gone and the rooms were deathly still she stood gazing at this picture till it became the world and she the wall. And the world was a network: a deep network, like interlacing branches in the woods, like inter-running currents in water, silver, gray, black, shot through with green and rose and a yellow like the sun. As one watched their deep network one saw in it, among it, woven into it and weaving it, little and great patterns and figures, beasts, trees, grasses, men and women and other creatures, some like farborns and some not; and strange shapes, boxes set on round legs, birds, axes, silver spears and feathers of fire, faces that were not faces, stones with wings and a tree whose leaves were stars.
    "What is that?" she asked the farborn woman whom Agat had asked to look after her, his kinswoman; and she in her way that was an effort to be kind replied, "A painting, a picture—your people make pictures, don't they?"
    "Yes, a little. What is it telling of?"
    "Of the other worlds and our home. You see the people in it...It was painted long ago, in the first Year of our exile, by one of the sons of Esmit." , "What is that?" Rolery pointed, from a respectful distance.
    "A building—the Great Hall of the League on the world called Davenant."
    "And that?"
    "An erkar."
    "I listen again," Rolery said politely—she was on her best manners at every moment now—but when Seiko Esmit seemed not to understand the formality, she asked, "What is an erkar?"
    The farborn woman pushed out her lips a little and said indifferently, "A ... thing to ride in, like a ... well, you don't even use wheels, how can I tell you? You've seen our wheeled carts?
    Yes? Well, this was a cart to ride in,