from his pocket. Stooping, with a groan, he opened up the box and drew out its contents.
A smiling eased his pain-tensed face; he nodded once. Another yarn by Shaggley. Probably be snatched up right away. The man could really write.
Rising with a grunt, Al slid the envelope into his sack, relocked the mailbox, then trudged off, still smiling to himself. Makes a man proud, he thought, carrying his stories; even if my legs do hurt.
Al was a Shaggley fan.
W hen Rick arrived from lunch a little after three that afternoon, there was a note from his secretary on the desk.
New ms. from Shaggley just arrived
, it read.
Beautiful job. Don’t forget R.A. wants to see it when you’re through. S.
Delight cast illumination across the editor’s hatchet face. By George in heaven, this was manna from what had threatened to be a fruitless afternoon. Lips drawn back in what, for him, was smiling, he dropped into his leather chair, restrainedemphatic finger twitchings for the blue pencil (No need of it for a Shaggley yarn!) and plucked the envelope from the cracked glass surface of his desk. By George, a Shaggley story; what luck! R.A. would beam.
He sank into the cushion, instantly absorbed in the opening nuance of the tale. A tremor of transport palsied outer sense. Breathless, he plunged on into the story depths.
What balance, what delineation
! How the man could write. Distractedly, he brushed plaster dust off his pinstripe sleeve.
As he read, the wind picked up again, fluttering his straw-like hair, buffeting like tepid wings against his brow. Unconsciously, he raised his hand and traced a delicate finger along the scar which trailed like livid thread across his cheek and lower temple.
The wind grew stronger. It moaned by pretzeled I-beams and scattered brown-edged papers on the soggy rug. Rick stirred restlessly and stabbed a glance at the gaping fissure in the wall (When, in the name of heaven, would they finish those repairs?), then returned, joy renewed, to Shaggley’s manuscript.
Finishing at last, he fingered away a tear of bittersweetness and depressed an intercom key.
“Another check for Shaggley,” he ordered, then tossed the snapped-off key across his shoulder.
At three-thirty, he brought the manuscript to R.A.’s office and left it there.
At four, the publisher laughed and cried over it, gnarled fingers rubbing at the scabrous bald patch on his head.
O ld hunchbacked Dick Allen set type for Shaggley’s story that very afternoon, vision blurred by happy tears beneath his eyeshade, liquid coughing unheard above the busy clatter of his machine.
The story hit the stand a little after six. The scar-faced dealer shifted on his tired legs as he read it over six times before, reluctantly, offering it for sale.
At half past six, the little bald-patched man came hobbling down the street. A hard day’s work, a well-earned rest, he thought, stopping at the corner newsstand for some reading matter.
He gasped. By George in heaven, a new Shaggley story! What luck!
The only copy, too. He left a quarter for the dealer who wasn’t there at the moment.
He took the story home, shambling by skeletal ruins (strange, those burned buildings hadn’t been replaced yet), reading as he went.
He finished the story before arriving home. Over supper, he read it once again, shaking his lumpy headat the marvel of its impact, the unbreakable magic of its workmanship. It inspires, he thought.
But not tonight. Now was the time for putting things away: the cover on the typewriter, the shabby overcoat, threadbare pinstripe, eyeshade, mailman’s cap and leather sack all in their proper places.
He was asleep by ten, dreaming about mushrooms. And, in the morning, wondering once again why those first observers had not described the cloud as more like a toadstool.
By six a.m. Shaggley, breakfasted, was at the typewriter.
This is the story
, he wrote,
of how Ras met the beautiful priestess of Shahglee and she fell in love with
J. S. Cooper, Helen Cooper