Free Love Lies by Adele Parks Page B

entourage, nor are they all decked out in fabulous designer clothes. They do have a higher than average hit of slightly weird and whacky hair styles but that is about all that defines them as rock and roll. That, and the fact they are all very focused on whatever it is they are supposed to be doing, and so no one bothers with me. I imitate their efficient and purposeful strides so as to blend in. After a while I spot a door with the words THE BAND emblazoned in large red letters. I reach for the handle but before I push the door open I listen to see if there’s anyone inside.
    I can’t hear anything so I risk a sneaky peek. I can always say I’m lost if I do get spotted and questioned by anyone. The dressing-room is not as glitzy as I expected. There are enormous leather couches pushed against two of the walls and a huge low glass coffee table in between. On the table there’s a nice arrangement of large white calla lilies; I check the tips and they are fresh, they’ve probably just gone in water. I hope whoever put the flowers here put a drop of lemonade in the vase too; it gets a good few extra days of freshness out of most stems. There’s a wall of mirrors with high stools lined up like soldiers and trolleys full of makeup. There’s a bar; it’s well stocked with various brands of canned and bottled beer and water but not much else. There is nothing to indicate that the band backing the current rock god phenomenon dresses here; no baths of M&Ms, no baskets of Labrador puppies, no lines of clothes or coke.
    A bit disappointed, I leave and continue down the corridor to the next room. On the door, in even bigger red letters than the first, is written, SCOTTIE TAYLOR STAR. I get the sense that the huge and bold letters are a bit of a joke. The sort of joke I imagine Scottie Taylor would make; a tongue-in-cheek prod at ‘Don’t you know who I am?’ Grinning, I open the door and stride in.
    The voice bangs through the air. ‘What are you doing in here?’

9. Fern
    I want to be forthcoming but my throat tightens and chokes my words; he’s got these eyes, you see, green, sparkling, soul-slicing eyes. He flashes them at me and with one single glance he strips me naked. I honestly feel my clothes come away at the seams and land in a heap at my feet. The sensation is so real that I look down just to check.
    It’s the man himself. Scottie Taylor. It takes a fraction of a second for me to understand this and I acknowledge the fact between my ears and between my legs simultaneously; I feel dizzy in both places. Close up he looks much bigger than I imagined. When I saw him in concert, eight years ago, he was a tiny dot on the stage. OK, so I was at the back in the crap seats but his size is still a surprise. I mean, most stars I’ve ever seen in real life are much tinier than you expect. Although, thinking about this theory, I ought to confess now that the sum total of stars I’ve seen in real life includes Beppe off EastEnders (I saw him in Covent Garden once, he was just coming out of a shop selling jacket potatoes) and Patrick Duffy (you know, Bobby from Dallas; I took my nephews to a panto last Christmas and he played Cinderella’s dad) – so my theory is not based on what you’d call a robust study.
    Scottie has huge muscled arms and he’s about six foot one. He became famous when he was practically in short trousers, so it’s easy to think of him as boyish. But that was then and this is now. There’s no element of boy any more. He’s man. One hundred per cent. My palms start to moisten; oh my God, so do other parts of my body!
    ‘What are you doing in here?’ He repeats the question; his tone is suspicious and cool.
    Finally, I find my voice. ‘Being nosey. Look, I’m sorry, I’ll leave,’ I squeak as I begin to edge out of the door. While my reply is absolutely accurate I don’t think it got to the heart of what Scottie was trying to establish.
    ‘Who are you?’ He doesn’t sound rude but he