Free Alice Munro's Best: Selected Stories by Alice Munro Page B

her mouth, with the other hand beat her away from his zipper. The big loose sleeves of his overcoat beat at her like floppy wings. As soon as he started to fight she was relieved – that was what she wanted from him, some sort of action. But she had to keep resisting, until he really proved himself stronger. She was afraid he might not be able to.
    But he was. He forced her down, down, to her knees, face down in the snow. He pulled her arms back and rubbed her face in the snow. Then he let her go, and almost spoiled it.
    “Are you all right? Are you? I’m sorry. Rose?”
    She staggered up and shoved her snowy face into his. He backed off.
    “Kiss me! Kiss the snow! I love you!”
    “Do you?” he said plaintively, and brushed the snow from a corner of her mouth and kissed her, with understandable bewilderment. “ Do you?”
    Then the light came on, flooding them and the trampled snow, and Dr. Henshawe was calling over their heads.
    “Rose! Rose!”
    She called in a patient, encouraging voice, as if Rose was lost in a fog nearby, and needed directing home.
    “ DO YOU LOVE HIM , Rose?” said Dr. Henshawe. “No, think about it. Do you?” Her voice was full of doubt and seriousness. Rose took a deep breath and answered as if filled with calm emotion, “Yes, I do.”
    “Well, then.”
    In the middle of the night Rose woke up and ate chocolate bars. She craved sweets. Often in class or in the middle of a movie she started thinking about fudge cupcakes, brownies, some kind of cake Dr. Henshawe bought at the European Bakery; it was filled with dollops of rich bitter chocolate that ran out on the plate. Whenever she tried to think about herself and Patrick, whenever she made up her mind to decide what she really felt, these cravings intervened.
    She was putting on weight, and had developed a nest of pimples between her eyebrows.
    Her bedroom was cold, being over the garage, with windows on three sides. Otherwise it was pleasant. Over the bed hung framed photographs of Greek skies and ruins, taken by Dr. Henshawe herself on her Mediterranean trip.
    She was writing an essay on Yeats’s plays. In one of the plays a young bride is lured away by the fairies from her sensible unbearable marriage.
    “Come away, O human child …” Rose read, and her eyes filled up with tears for herself, as if she was that shy elusive virgin, too fine for the bewildered peasants who have entrapped her. In actual fact she was the peasant, shocking high-minded Patrick, but he did not look for escape.
    She took down one of those Greek photographs and defaced the wallpaper, writing the start of a poem which had come to her while she ate chocolate bars in bed and the wind from Gibbons Park banged at the garage walls.
Heedless in my dark womb
I bear a madman’s child …
    She never wrote any more if it, and wondered sometimes if she had meant headless. She never tried to rub it out, either.
    PATRICK SHARED AN apartment with two other graduate students. He lived plainly, did not own a car or belong to a fraternity. His clothes had an ordinary academic shabbiness. His friends were the sons of teachers and ministers. He said his father had all but disowned him for becoming an intellectual. He said he would never go into business.
    They came back to the apartment in the early afternoon when they knew both the other students would be out. The apartment was cold. They undressed quickly and got into Patrick’s bed. Now was the time. They clung together, shivering and giggling. Rose was doing the giggling. She felt a need to be continually playful. She was terrified thatthey would not manage it, that there was a great humiliation in store, a great exposure of their poor deceits and stratagems. But the deceits and stratagems were only hers. Patrick was never a fraud; he managed, in spite of gigantic embarrassment, apologies; he passed through some amazed pantings and flounderings, to peace. Rose was no help, presenting instead of an honest passivity much