Free James Bond Anthology by Ian Fleming Page A

wrack-rents in Milan and would probably play a dashing and foolish game. He might lose his temper and make a scene.
    Bond had just finished his sketchy summing-up of the players when Le Chiffre, with the silence and economy of movement of a big fish, came through the opening in the brass rail and, with a cold smile of welcome for the table, took his place directly opposite Bond in the banker’s chair.
    With the same economy of movement, he cut the thick slab of cards which the croupier had placed on the table squarely between his blunt relaxed hands. Then, as the croupier fitted the six packs with one swift exact motion into the metal and wooden shoe, Le Chiffre said something quietly to him.
    ‘Messieurs, mesdames, les jeux sont faits. Un banco de cinq cent mille,’ and as the Greek at Number 1 tapped the table in front of his fat pile of hundred-mille plaques, ‘le banco est fait’.
    Le Chiffre crouched over the shoe. He gave it a short deliberate slap to settle the cards, the first of which showed its semi-circular pale pink tongue through the slanting aluminium mouth of the shoe. Then, with a thick white forefinger he pressed gently on the pink tongue and slipped out the first card six inches or a foot towards the Greek on his right hand. Then he slipped out a card for himself, then another for the Greek, then one more for himself.
    He sat immobile, not touching his own cards.
    He looked at the Greek’s face.
    With his flat wooden spatula, like a long bricklayer’s trowel, the croupier delicately lifted up the Greek’s two cards and dropped them with a quick movement an extra few inches to the right so that they lay just before the Greek’s pale hairy hands which lay inert like two watchful pink crabs on the table.
    The two pink crabs scuttled out together and the Greek gathered the cards into his wide left hand and cautiously bent his head so that he could see, in the shadow made by his cupped hand, the value of the bottom of the two cards. Then he slowly inserted the forefinger of his right hand and slipped the bottom card slightly sideways so that the value of the top card was also just perceptible.
    His face was quite impassive. He flattened out his left hand on the table and then withdrew it, leaving the two pink cards face down before him, their secret unrevealed.
    Then he lifted his head and looked Le Chiffre in the eye.
    ‘Non,’ said the Greek flatly.
    From the decision to stand on his two cards and not ask for another, it was clear that the Greek had a five, or a six, or a seven. To be certain of winning, the banker had to reveal an eight or a nine. If the banker failed to show either figure, he also had the right to take another card which might or might not improve his count.
    Le Chiffre’s hands were clasped in front of him, his two cards three or four inches away. With his right hand he picked up the two cards and turned them face upwards on the table with a faint snap.
    They were a four and a five, an undefeatable natural nine.
    He had won.
    ‘Neuf à la banque,’ quietly said the croupier. With his spatula he faced the Greek’s two cards, ‘Et le sept,’ he said unemotionally, lifting up gently the corpses of the seven and queen and slipping them through the wide slot in the table near his chair which leads into the big metal canister to which all dead cards are consigned. Le Chiffre’s two cards followed them with a faint rattle which comes from the canister at the beginning of each session before the discards have made a cushion over the metal floor of their oubliette.
    The Greek pushed forward five plaques of one hundred thousand and the croupier added these to Le Chiffre’s half-million plaque which lay in the centre of the table. From each bet the Casino takes a tiny percentage, the cagnotte, but it is usual at a big game for the banker to subscribe this himself either in a prearranged lump or by contributions at the end of each hand, so that the amount of the bank’s stake can