Free Ruin and Rising by Leigh Bardugo Page A

strange alabaster glow. Soon our way was lit by nothing but the swaying light of our lanterns. In some places, the caverns were so narrow that we had to remove our packs and wriggle along between the press of walls. Then, without warning, we’d find ourselves in a giant cave wide enough to pasture horses.
    Mal had been right: so many people traveling together were noisy and unwieldy. We made frustratingly slow progress, marching in a long column with Zoya, Nadia, and Adrik spread out along the line; in case of a cave-in, the air our Squallers could summon might provide valuable breathing time for anyone trapped.
    David and Genya kept falling behind, but he seemed to be the one responsible for the lag. Finally, Tolya hefted the huge pack from David’s narrow shoulders.
    He groaned. “What do you have in this thing?”
    “Three pairs of socks, one pair of trousers, an extra shirt. One canteen. A tin cup and plate. A cylindrical slide rule, a chrondometer, a jar of spruce sap, my collection of anticorrosives—”
    “You were only supposed to pack what you need.”
    David gave an emphatic nod. “Exactly.”
    “Please tell me you didn’t bring all of Morozova’s journals,” I said.
    “Of course I did.”
    I rolled my eyes. There had to be at least fifteen leather-bound books. “Maybe they’ll make good kindling.”
    “Is she kidding?” David asked, looking concerned. “I can never tell if she’s kidding.”
    I was. Mostly. I’d hoped the journals would give me insight into the firebird and maybe even into how the amplifiers could help me destroy the Fold. But they’d been a dead end, and if I was honest, they’d frightened me a little too. Baghra had warned me of Morozova’s madness, and yet somehow I’d expected to find wisdom in his work. Instead, his journals had provided me with a study in obsession, all of it documented in nearly indecipherable scrawl. Apparently genius didn’t require good penmanship.
    His early journals chronicled his experiments: the blacked-out formula for liquid fire, a means of preventing organic decay, the trials that had led to the creation of Grisha steel, a method for restoring oxygen to the blood, the endless year he’d spent finding a way to create unbreakable glass. His skills extended beyond those of an ordinary Fabrikator, and he was well aware of it. One of the essential tenets of Grisha theory was “like calls to like,” but Morozova seemed to believe that if the world could be broken down to the same small parts, each Grisha should be able to manipulate them. Are we not all things? he demanded, underlining the words for emphasis. He was arrogant, audacious—but still sane.
    Then his work on the amplifiers had begun, and even I could see the change. The text got denser, messier. The margins were full of diagrams and crazed arrows that referred back to earlier passages. Worse were the descriptions of experiments he’d performed on animals, the illustrations of his dissections. They turned my stomach and made me think Morozova had deserved whatever early martyrdom he’d received. He’d killed animals and then brought them back to life, sometimes repeatedly, delving deeper into merzost , creation, the power of life over death, trying to find a way to create amplifiers that might be used together. It was forbidden power, but I knew its temptation, and I shuddered to think that pursuing it might have driven him mad.
    If he was led by some noble purpose, I didn’t see it in his pages. But I sensed something more in his fevered writings, in his insistence that power was everywhere for the taking. He had lived long before the creation of the Second Army. He was the most powerful Grisha the world had ever known—and that power had isolated him. I remembered the Darkling’s words to me: There are no others like us, Alina. And there never will be. Maybe Morozova wanted to believe that if there were no others like him, there could be, that he might create Grisha of