gets her information,â Edgar said. âBut she knows youâve gone back to working nights.â
âHow could she know that? It couldnât be Lucy. She knows to keep quiet.â
âNo, I donât think it came from Lucy.â
âFrances,â Corman blurted. âIt must be Frances.â
âIt could be,â Edgar admitted reluctantly. âShe doesnât mean to let things slip, but sometimes she gets on the phone with Lexie and, you know how it is, the ladies exchange information.â
âSo sheâs told Lexie Iâm working nights again?â
Edgar nodded. âYouâre not supposed to be working nights, David. You know that. Itâs part of the custody arrangement.â
âI donât have a choice right now.â
âWell, thatâs also a problem.â
Corman looked at him quizzically.
âIâm talking about your ability to support Lucy,â Edgar added.
âI can support her.â
âBut to do it, you work this night shift thing,â Edgar said. âThatâs a problem when it comes to custody.â
Corman turned away. He could feel his blood heating and worked to cool it off. âWhat can I do?â he asked finally.
âMy advice is for you to talk to her,â Edgar said. âYou know Lexie. Sheâs not a bitch. Sheâs concerned about Lucy, thatâs all. Itâs not a spiteful thing. No bitterness. With you two, the whole thing was mutual. Even in the decree. Mutual. Mutual. Mutual. Every other word.â
Cormanâs eyes shot over to Edgar. âItâs about money. It always is.â
Edgar stared at Corman sternly. âDavid, if I thought it was just the money, Iâd tell Lexie to do her worst, and weâd see her in court.â
âBut moneyâs what it comes down to,â Corman said. He looked at Edgar knowingly. âLook, Edgar, you and I both know that whenever anybody says itâs not just the money, itâs just the money.â
Edgar shook his head. âNot always. In this case, itâs part of it, but itâs not the whole thing.â
âWhat else?â
âWell, for one thing, where you live.â
âWhat about it?â
âNot just the apartment,â Edgar said. âAlthough that could be an issue too.â
âHow?â
âItâs pretty cramped, you got to admit.â
âCramped?â Corman blurted. âCramped? Jesus Christ, Edgar, in this city in the nineteenth century people were piled into â¦â
âNineteenth century?â Edgar cried. âNineteenth century? Who gives a fuck about the nineteenth century? Weâre talking about the here and now, David.â
âBut you have to â¦â
âFace the facts,â Edgar said sharply, finishing the sentence. âThatâs what you have to do.â Suddenly his face softened, his voice grew less tense. âLook, David, youâre my brother. I know how you feel about things. You have aâwhat would you call itâa romantic streak. Not everybody does.â
âRomantic streak?â Corman said. âEdgar, what are you talking about?â
âPhotography, that sort of thing. Working the nights. Itâs not the usual thing.â
âSo I have to do the usual thing to keep my daughter?â
âNo, but you have to make a living at it.â
âSee what I mean?â Corman said icily. âMoney.â
âMoney,â Edgar repeated. âAll right, money. I mean your apartment, where it is, the neighborhood around there, the school Lucy goes to.â He lifted his hands, palms up. âAll of thatâs a problem for Lexie. She has concerns about it.â He waited for Corman to respond, then added cautiously, âLegitimate concerns.â
Corman gave him a withering look. âChrist, you sound like her lawyer.â
âNot at all,â Edgar said. âBut Iâd be a fool
Dean Wesley Smith, Kristine Kathryn Rusch
Martin A. Lee, Bruce Shlain