Free Mockingbird by Walter Tevis Page A

buildings all over New York had been scheduled for demolition long before we were born, but nothing happened to them.
    “Yes,” she said, “half of the buildings at the zoo are that way, too. But what are all these rooms
for
?”
    “I don’t know,” I said. “Books?”
    “That many books?”
    “I don’t know.”
    And then, at the end of a long, especially mossy hallway, where some of the overhead lights were dim, we came to a gray door that had a sign saying: STORAGE. We pushed the door open with some difficulty; it was a much heavier door than the others and it had some kind of seal around it. We got it open by pushing together and I was immediately surprised by two things. The air inside smelled strange—it smelled
old—
and there were steps going down. I had thought we were on the lowest floor of the library already. We took the steps, and I almost slipped and fell. They were heavily layered with some kind of slippery, yellowish dust. I caught myself just in time.
    As we descended, the air smelled even stronger, older.
    At the bottom of the stairs was a hallway. There were overhead lights, but they were very dim. The hallway was short, and at the end of it were two doors. One said: EQUIPMENT, and the other said: BOOKS, and below this, in smaller letters: TO BE RECYCLED. We pushed the door open. There was at first nothing but darkness and sweet-smelling air behind the door. Then, suddenly, lights flickered on and Mary Lou gasped. “Jesus Christ!” she said.
    The room was huge and there were books everywhere.
    You could not see any walls because of the shelves filled with books. And books were stacked up on their sides in the middle of the room, and in piles along the walls in front of the full shelves. They were of every color and size.
    I stood there not knowing what to do or say. I was feeling something that was like what some of the films had made me feel— a sense that I was in the presence of great waves of feeling that had once been felt by people who were now dead and who understood things that I did not.
    I knew that there had been books in the ancient world, of course, and that most of them were probably from that time before television, but I had no idea there were that many.
    While I stood there, feeling what I have no name for, Mary Lou walked toward a pile of big, thin books that was not as high as the others. She reached up, the way I had seen her reach up for the inedible fruit in the python cage at the House of Reptiles, and took the top book down carefully. She held it awkwardly in both hands, and stared at its cover. Then very carefully she opened its pages. I could see that there were pictures. She stared at some of the pages for a long time. Then she said, “Flowers!” and closed the book and handed it to me. “Can you . . . say what you read on this?”
    I took it from her and read the cover:
Wildflowers of North America
. I looked at her.
    “Paul,” she said softly, “I want you to teach me how to read.”
     
     
     
     

Spofforth
     
     
    Every afternoon at two o’clock Spofforth took a walk, for about an hour. Like his habitual whistling, which was the only manifestation of his to-him-unknown ability to play the piano, the habit of taking walks had been, willy-nilly, copied into his metal brain from the start. It was not a compulsion; he could override it when he wished to; but he usually did not. His work at the university was so slight, so trivial to him, that he could easily spare the time. And there was no one with the authority to tell him not to.
    He would walk through the city of New York, his arms swinging, his tread light, his head erect, usually looking neither to the right nor to the left. Sometimes he would look in the windows of the small automatic stores that distributed food and clothing to anyone with a credit card, or stop to watch a crew of Make Twos emptying garbage, or working on the repair of ancient sewers. These matters concerned him; Spofforth knew far