themselves.
At Dimitriâs side I looked up at the hanged man, at peace on the end of a rope. I considered cutting him down, taking him to the cemetery and putting him in the ground â the stranger deserved some dignity at least â but I chose not to. The manâs body had another purpose now: to act as a reminder to the people who had done this. I knew as well as anyone that people are capable of terrible things but must recognise the things they have done. Without that recognition, they are nothing more than animals, empty of any feeling.
âShame on you,â I said. My voice was hoarse and my words were quiet. âShame on you, Dimitri Spektor. Shame on your family. Shame on this whole damn village.â
Dimitri continued to stare up at the hanged man.
âIs this what you wanted?â I asked him. âIs it?â
Dimitri opened his mouth, but whatever words he intended to say were caught in his throat. They stuck there and refused to come out.
âDoes this make our children safe?â I asked him.
He stared as if no thought could pass through his mind, then he blinked, shook himself and refocused. âI didnât do this.â
âYou were part of it. You led it. You caused it.â
âDonât be so damn self-righteous. I didnât want this. Iââ
âWhat did you want? What did you think was going to happen? You knew what you were doing, Dimitri; donât pretend this was an accident.â
He swallowed hard. âWhat now?â
âNow? Now you have to live with it.â
I left Dimitri standing alone and went back to my family. Viktor and Petro were at the window, their faces at the glass as I approached.
When I went into the house, Viktor was still holding the revolver. Lara was clinging to Natalia.
âWhat the hell is happening to them?â I said.
âPeople are afraid of whatâs coming,â she told me. âAnd who can blame them?â
âItâs no excuse.â
Natalia looked down at our daughter, but Lara showed no sign of understanding.
âClose the shutters,â I told my sons. âI donât want Lara to see what Uncle Dimitri has done.â
âBut ⦠all those people,â Petro said. âHow could they do that?â He was even paler than usual. His brow creased so tight in bewilderment that the bridge of his nose wrinkled. He looked as if heâd woken in the night and forgotten where he was.
âI donât want to talk about it,â I said.
âTo do that to another man. They justââ
âNot now.â
âBut, Papa â¦â
âI said I donât want to talk about it.â
âShouldnât we cut him down or something?â
âPetro!â I turned on him. âI donât want to hear about it.â
âHeâs only asking,â Natalia said. âHeâsââ
I slammed my fist hard on the table and raised my voice so it filled the small room. âDonât talk about it. I donât want to hear it. Donât talk about it any more.â
Natalia pulled Lara closer, placing her arms so they covered the childâs ears.
âPlease.â I lowered my voice. âI donât want to talk about it.â I held up a hand and bowed my head. I closed my eyes and took a deep breath. When I looked back at my wife, I nodded anapology before glancing at my children, each in turn. Then I went to the door. I hesitated, took hold of the old iron handle and pulled it open.
I stepped out into the cold and glanced at the hanged man as I yanked the door shut. I let my gaze linger on the body for a moment, then I turned and headed round the back of the house.
Entering the barn, the chickens complained at my intrusion but soon settled. The ones which had ventured out from the coop scurried back inside to the warmth.
I went to the pile of belongings from the manâs sled and took up a milking stool to sit down