Free A Place of Greater Safety by Hilary Mantel Page B

going in. Neighbor of mine a few years back, he swears he saw them taking in a billiard table. It’s like anything else in life, I suppose,” the man said. “Winners and losers, that’s all about it.”
    Georges-Jacques looks up, and his eye is offended; it is impregnable, there is no doubt. These people go about their lives and work—brewing by the look of it, and upholstery—and they live under its walls, and they see it every day, and finally they stop seeing it, it’s there and not there. What really matters isn’t the height of the towers, it’s the pictures in your head: the victims gone mad with solitude, the flagstones slippery with blood, the children birthed on straw. You can’t have your whole inner world rearranged by a man you meet in the street. Is nothing sacred? Stained from the dye works, the river ran yellow, ran blue.
    And when evening came the civil servants hurried home; the jewelers of the Place Dauphine came clank, clank with their keys to lock away their diamonds for the night. No homeward cattle, no dusk over the fields; shrug away the sentimentality. In the rue Saint-Jacques a confraternity of shoemakers settled in for a night’s hard drinking. In a third-floor apartment in the rue de la Tixanderie, a young woman let in her new lover and removed her clothes. On the Île Saint-Louis, in an empty office, Maitre Desmoulins’s son faced, dry-mouthed, the heavy charm of his new employer. Milliners who worked fifteen hours in a bad light rubbed their red-rimmed eyes and prayed for their families in the country. Bolts were drawn; lamps were lit. Actors painted their faces for the performance.

PART TWO
     
     
    We make great progress only at those times when we become melancholy—at those times when, discontented with the real world, we are forced to make for ourselves one more bearable.
    “The Theory of Ambition,” an essay:
JEAN-MARIE HÉRAULT DE SÉCHELLES

CHAPTER 1
    The Theory of Ambition
    T he Café du Parnasse was known to its clients as the Café de l’École, because it overlooked the Quai of that name. From its windows you could see the river and the Pont-Neuf, and further in the distance the towers of the Law Courts. The café was owned by M. Charpentier, an inspector of taxes; it was his hobby, his second string. When the courts had adjourned for the day, and business was brisk, he would arrange a napkin over his arm and wait at table himself; when business slackened, he would pour a glass of wine and sit down with his regular customers, exchanging legal gossip. Much of the small talk at the Café de l’École was of a dry and legalistic nature, yet the ambience was not wholly masculine. A lady might be seen there; compliments leavened with a discreet wit skimmed the marble-topped tables.
    Monsieur’s wife Angélique had been, before her marriage, Angelica Soldini. It would be pleasant to say that the Italian bride still enjoyed a secret life under the matron’s cool Parisienne exterior. In fact, however, Angélique had kept her rapid and flamboyant speech, her dark dresses which were indefinably foreign, her seasonal outbursts of piety and carnality; under cover of these prepossessing traits flourished her real self, a prudent, economic woman as durable as granite. She was in the café every day—perfectly married, plump, velvet-eyed; occasionally someone would write her a sonnet, and present it to her with a courtly bow. “I will read it later,” she would say, and fold it carefully, and allow her eyes to flash.
    Her daughter, Antoinette-Gabrielle, was seventeen years old when she first appeared in the café. Taller than her mother, she had a fine forehead and brown eyes of great gravity. Her smiles were sudden decisions,
a flash of white teeth before she turned her head or twisted her whole body away, as if her merriment had secret objects. Her brown hair, shiny from long brushing, tumbled down her back like a fur cape, exotic and half-alive: on cold days, a private