Free Surely You're Joking, Mr. Feynman! by Richard Feynman Page B

pressure again, and suddenly the whole thing just blew glass and water in all directions throughout the laboratory. A guy who had come to watch got all wet and had to go home and change his clothes (it’s a miracle he didn’t get cut by the glass), and lots of cloud chamber pictures that had been taken patiently using the cyclotron were all wet, but for some reason I was far enough away, or in some such position that I didn’t get very wet. But I’ll always remember how the great Professor Del Sasso, who was in charge of the cyclotron, came over to me and said sternly, “The freshman experiments should be done in the freshman laboratory!”
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Meeeeeeeeeee!
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    On Wednesdays at the Princeton Graduate College, various people would come in to give talks. The speakers were often interesting, and in the discussions after the talks we used to have a lot of fun. For instance, one guy in our school was very strongly anti-Catholic, so he passed out questions in advance for people to ask a religious speaker, and we gave the speaker a hard time.
    Another time somebody gave a talk about poetry. He talked about the structure of the poem and the emotions that come with it; he divided everything up into certain kinds of classes. In the discussion that came afterwards, he said, “Isn’t that the same as in mathematics, Dr. Eisenhart?”
    Dr. Eisenhart was the dean of the graduate school and a great professor of mathematics. He was also very clever. He said, “I’d like to know what Dick Feynman thinks about it in reference to theoretical physics.” He was always putting me on in this kind of situation.
    I got up and said, “Yes, it’s very closely related. In theoretical physics, the analog of the word is the mathematical formula, the analog of the structure of the poem is the interrelationship of the theoretical bling-bling with the so-andso”–and I went through the whole thing, making a perfect analogy. The speaker’s eyes were _beaming_ with happiness.
    Then I said, “It seems to me that no matter _what_ you say about poetry, I could find a way of making up an analog with _any_ subject, just as I did for theoretical physics. I don’t consider such analogs meaningful.”
    In the great big dining hall with stained-glass windows, where we always ate, in our steadily deteriorating academic gowns, Dean Eisenhart would begin each dinner by saying grace in Latin. After dinner he would often get up and make some announcements. One night Dr. Eisenhart got up and said, “Two weeks from now, a professor of psychology is coming to give a talk about hypnosis. Now, this professor thought it would be much better if we had a real demonstration of hypnosis instead of just talking about it. Therefore he would like some people to volunteer to be hypnotized.
    I get all excited: There’s no question but that I’ve got to find out about hypnosis. This is going to he terrific!
    Dean Eisenhart went on to say that it would be good if three or four people would volunteer so that the hypnotist could try them out first to see which ones would be able to be hypnotized, so he’d like to urge very much that we apply for this. (_He’s wasting all this time_, for God’s sake!)
    Eisenhart was down at one end of the hall, and I was way down at the other end, in the back. There were hundreds of guys there. I knew that everybody was going to want to do this, and I was terrified that he wouldn’t see me because I was so far back. I just had to get in on this demonstration!
    Finally Eisenhart said, “And so I would like to ask if there are going to be any volunteers . . .”
    I raised my hand and shot out of my seat, screaming as loud as I could, to make sure that he would hear me: “MEEEEEEEEEEE!”
    He heard me all right, because there wasn’t another soul. My voice reverberated throughout the hall–it was very embarrassing. Eisenhart’s immediate reaction was, “Yes, of course, I knew _you_ would volunteer, Mr. Feynman,