My Mistress's Sparrow Is Dead

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Authors: Jeffrey Eugenides
Tags: Romance, Contemporary, Adult, Anthologies
away or flee, as if you were sitting in a madhouse or a prison camp!
Gurov did not sleep all night and felt indignant, and as a result had a headache all the next day. And the following nights he slept poorly, sitting up in bed all the time and thinking, or pacing up and down. He was sick of the children, sick of the bank, did not want to go anywhere or talk about anything.
In December, during the holidays, he got ready to travel and told his wife he was leaving for Petersburg to solicit for a certain young man—and went to S. Why? He did not know very well himself. He wanted to see Anna Sergeevna and talk with her, to arrange a meeting, if he could.
He arrived at S. in the morning and took the best room in the hotel, where the whole floor was covered with gray army flannel and there was an inkstand on the table, gray with dust, with a horseback rider, who held his hat in his raised hand, but whose head was broken off. The hall porter gave him the necessary information: von Dideritz lives in his own house on Staro-Goncharnaya Street, not far from the hotel; he has a good life, is wealthy, keeps his own horses, everybody in town knows him. The porter pronounced it “Dridiritz.”
Gurov walked unhurriedly to Staro-Goncharnaya Street, found the house. Just opposite the house stretched a fence, long, gray, with spikes.
“You could flee from such a fence,” thought Gurov, looking now at the windows, now at the fence.
He reflected: today was not a workday, and the husband was probably at home. And anyhow it would be tactless to go in and cause embarrassment. If he sent a message, it might fall into the husband’s hands, and that would ruin everything. It would be best to trust to chance. And he kept pacing up and down the street and near the fence and waited for his chance. He saw a beggar go in the gates and saw the dogs attack him, then, an hour later, he heard someone playing a piano, and the sounds reached him faintly, indistinctly. It must have been Anna Sergeevna playing. The front door suddenly opened and some old woman came out, the familiar white spitz running after her. Gurov wanted to call the dog, but his heart suddenly throbbed, and in his excitement he was unable to remember the spitz’s name.
He paced up and down, and hated the gray fence more and more, and now he thought with vexation that Anna Sergeevna had forgotten him, and was perhaps amusing herself with another man, and that that was so natural in the situation of a young woman who had to look at this cursed fence from morning till evening. He went back to his hotel room and sat on the sofa for a long time, not knowing what to do, then had dinner, then took a long nap.
“How stupid and upsetting this all is,” he thought, when he woke up and looked at the dark windows: it was already evening. “So I’ve had my sleep. Now what am I to do for the night?”
He sat on the bed, which was covered with a cheap, gray, hospital-like blanket, and taunted himself in vexation:
“Here’s the lady with the little dog for you . . . Here’s an adventure for you . . . Yes, here you sit.”
That morning, at the train station, a poster with very big lettering had caught his eye: it was the opening night of The Geisha . He remembered it and went to the theater.
“It’s very likely that she goes to opening nights,” he thought.
The theater was full. And here, too, as in all provincial theaters generally, a haze hung over the chandeliers, the gallery stirred noisily; the local dandies stood in the front row before the performance started, their hands behind their backs; and here, too, in the governor’s box, the governor’s daughter sat in front, wearing a boa, while the governor himself modestly hid behind the portière, and only his hands could be seen; the curtain swayed, the orchestra spent a long time tuning up. All the while the public came in and took their seats, Gurov kept searching greedily with his eyes.
Anna Sergeevna came in. She sat in the third row,

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