Free The Color of Blood by Declan Hughes Page A

faster than the Guards. If I didn’t believe that, then I would be as bad as Dave had painted me. And if it involved serious criminals from Honeypark, even Brock Taylor himself, I could make those connections before anyone else. And Dave wasn’t above taking my help when he needed it.
    Meanwhile, here I was, smoking a cigarette on top of Bayview Hill, waiting for a woman who drove a black ’06 Reg Mercedes-Benz S 500 to tell me what to do. She came out of the house with Emily and Jonathan, whom shock continued to age in reverse: they looked like a pair of frightened children, bloodless and numb. Jonathan had retreated behind iPod headphones; Emily carried an overnight bag and a worn stuffed dog. Sandra Howard opened the car for them, then came across and stood beside me. Her hood was down, and her red hair glistened in the thick damp air. She was wearing black, some combination of cape and cowl that came to her ankles. She took the cigarette from my hand and drew hard on it.
    “Jesus, this is such a mess,” she said. “Mr. Loy—”
    “Ed,” I said.
    “Ed. I’m bringing Jonny and Em up to Rowan House, that’s the family home. Would you come with us?”
    “Of course,” I said. “I’ll follow you there.”
    She held the cigarette up as if to give it back; I gestured to her to keep it; she caught my hand again and held it in her cool grip. Her red nail polish was chipped, and her nails were bitten to the quick; she wore a red-and-green-braided band on her wrist; she smelled of smoky salt earth and the sweet tang of spice. She looked straight at me, and I looked straight back; I thought I could feel her green eyes searching mine, like she could see inside my thoughts, see my doubt, my suspicion, see how little I really trusted her, or anyone else. But I wanted her to believe I could trust. Looking in her eyes, I wanted to trust her.
    Lord, I believe, oh, help my unbelief.
    She brought her hand up to my face. I wasn’t sure what she was doing, but I wanted her to keep doing it. Her crooked finger rested cool in the hollow of my cheek.
    “Something is happening to us, Ed. Emily vanishing, David Brady — the Howard family is under threat. You’ll help us, won’t you?”
    I nodded. I felt at that moment as if I were under her spell, as if I would have done whatever she asked me. A firework raked across the sky like a searchlight in the dark and caught us for a split second, frozen in its glow. I sometimes thought of it later as a strobe flash that captured Sandra Howard as she had been, before the fall — but of course it was no such thing; the high saga of the Howards was plummeting to its close, and whether she knew it or not, Sandra wasn’t just caught up in its descent, she was fanning the flames that sped it down.
     
     
    I followed the roll of the great black Merc, feeling dragged in its imperious tide, as our cortege made slow progress through the rush-hour traffic on the narrow roads south of Castlehill. Once we joined the M50 northwards we picked up speed against the flow. The Merc turned west on Exit 13 and climbed through Sandyford and Kilgobbin, then cut up through narrow twisty roads to the foothills of the mountains. I followed along a road bounded now on one side by a high stone wall; on the other, gorse and ferns gave way to marsh and shallow bog. At a junction high above the city, great iron gates within the wall marked the entrance to Rowan House; I waited while they swung open, and then followed as the Merc crunched up a track lined with ash and rowan trees to a house I had seen already that day, in miniature, on a plinth beneath Emily Howard’s bed.
    Rowan House looked like a Victorian merchant’s idea of a baronial castle: cut from pale granite, it had castellated bay windows, battlements, a small octagonal flag tower at one end and a much larger corner tower at the rear with a slated conical roof. A weather vane sprouted from the flag tower, atop whose pointer a spotlight picked out a