he had, if he had any, and watched darkness settle and then went home.
George walked to the water and Howard followed silently behind at a distance. At the edge of the water, George cut a panel of bark from a birch tree with his jackknife. He sewed the bark together at each end with a heavy sewing needle and dark thread, making a canoe shaped boat. He placed the tiny coffin in the middle of the craft and laid a piece of coal, which he took from a pocket in his overalls, next to it. He lit the coal with a kitchen match, which he struck on his zipper fly, and launched the boat. It floated out onto the pond. The burning coal illuminated the birch bark and made it look like some sort of glowing animal hide. The air was still and the surface of the pond was sleek and reflective, like oil, and seemed thick, like oil, too, because the ripples trailing off the back of the little boat spread so slowly, as if the skin of the water offered more resistance against the influence of bodies passing through it that night. White moths came up from the grass at the pond's edge and fluttered out to the boat to flirt with the fire. The fire reached the matchbox and rubbed at it until it began to smoke. When the fire reached inside the box and touched the kerosene-soaked shroud, there was a bright, quiet thump and the bier was gulped in flame. The birch crackled and spat sparks. Then there was a gout of whitish smoke, which Howard imagined was the mouse burning. George's silhouette lit up against the flames on the water. The pyre sank with a hiss and a final spurt of smoke and the pond went dark and was quiet again.
Cremation came to Howard's mind, a vision of Viking kings lying on their funeral beds on the decks of their dragon-prow ships, swords in hand, set alight, and sent blazing into the dark surf, flames snapping from the ships' sterns like pennants in a gale.
Howard felt the movement of his son passing him in the dark more than he saw him, and he waited, listening, for the boy to make his way through the trees, up the path, back to the yard, and into the house before he himself went on, not to the house but past it, up to the road, and then turned back around, so that if anyone in the house saw, it would look as if he was returning from the after-dinner walk he had said he was taking. He came to the front of the house and could see George and Darla and Marjorie through the front window at the dining room table doing their homework.
I will pay my debts with honey!
What if the wagon, instead of a house on wheels, contained a kingdom of bees? There would be a panel on one side, fixed at the top with brass hinges, which would open and be propped up with poles at the corners. There would be windows looking into the hives. People could stand and watch the bees work while I gave lectures on the insects' habits, their industry and their loyalty. I could charge two cents a person. Young children could see the hives for free. Schools could send entire classes, or, even better, I could go to the schools and set up right in the yards. I could plant a bed of flowers on top of the wagon for the pollen and put the entrances to the hives on the side opposite the windows, so that the spectators would not bother the bees. And I could have a cabinet built into the back of the wagon that I would fill with jars of honey and beeswax and honeycombs tied with bright ribbons, which I would sell to the audience after the lecture. I could have a sign painted across the side panel: "The Magnificent Cros-bees!"
Instead, winter came and he put the wagon away in the barn, where mice and stray cats nested in a halffrozen truce in the drawers.
George experienced all but one of his father's seizures as rumors. He would find his mother leaning over his rumpled, shaken father in a chair. There was spit in his father's hair and blood on his chin. His father sat, snorting rapid breaths through his nose and looking first at the palms of his hands and then at their backs