The woman tried to get the gun down between her and the chair before the chair could hit her, but she didnât move fast enough. The chairback crashed into her hips and pelvis and stomach, driving her backward into the bars. She howled in pain and surprise.
The big cop spread his arms like Samson preparing to pull down the temple and grasped the sides of the desk. Although his ears were still ringing from the shotgun blast, Ralph heard the seams under the arms of the maniac copâs khaki uniform shirt give way. The cop pulled the desk back. âDrop it!â he yelled. âDrop the gun, Mary!â
The woman shoved the chair away from her, raised the shotgun, and pulled back the double hammers again. She was sobbing with pain and effort. Out of the corner of his eye, Ralph saw Ellie put her hands over her ears as the dark-haired woman curled her finger around the triggers, but this time there was only a dry click when the hammers fell. Ralph felt disappointment as bitter as gall crowd his throat. He had known just looking at it that the shotgun wasnât a pump or an auto, and still he had somehow thought it would fire, had absolutely expected it to fire, as if God himself would reload the chambers and perform a Winchester miracle.
The cop shoved the desk forward a second time. If not for the chair, Ralph saw, she would have been safe in the kneehole. But the chair was there, and it slammed into her midsection again, doubling her forward and drawing a harsh retching noise from her.
âDrop it Mary, drop it !â the cop yelled.
But she wouldnât. As the cop pulled the desk back again (Why doesnât he just charge her? Ralph thought. Doesnât he know the damned gun is empty?), shells spilling off the top and rolling everywhere, she reversed it so she could grip the twin barrels. Then she leaned forward and brought the stock down over the top of the desk like a club. The cop tried to drop his right shoulder, but the burled walnut stock of the gun caught him on the collarbone just the same. He grunted. Ralph had no idea if it was a grunt of surprise, pain, or simple exasperation, but the sound drew a scream of approval from across the room, where David was still standing with his hands wrapped around the bars of the cell he was in. His face was pale and sweaty, his eyes blazing. The old man with the white hair had joined him.
The cop pulled the desk back once moreâthe blow to his shoulder did not noticeably impair his ability to do thisâand slammed it forward again, hitting the woman with the chair and driving her into the bars. She uttered another harsh cry.
âPut it down!â the cop yelled. It was a funny kind of yell, and for a moment Ralph found himself hoping that the bastard was hurt after all. Then he realized the cop was laughing. âPut it down or Iâll beat you to a pulp, I really will!â
The dark-haired womanâMaryâraised the gun again, but this time with no conviction. One side of her shirt had pulled out of her jeans, and Ralph could see bright red marks on the white skin of her waist and belly. He knew that, were she to take the shirt off, he would see the chairbackâs silhouette tattooed all the way up to the cups of her bra.
She held the gun in the air for a moment, the inlaid stock wavering, then threw it aside. It clattered across to the cell where David and the white-haired man were. David looked down at it.
âDonât touch it, son,â the white-haired man said. âItâs empty, just leave it alone.â
The cop glanced at David and the white-haired man. Then, smiling brilliantly, he looked at the woman with her back to the drunk-tank bars. He pulled the desk away from her, went around it, and kicked at the chair. It voyaged across the hardwood on its squeaky casters and thumped to a stop against the empty cell next to Ralph and Ellie. The cop put an arm around the dark-haired womanâs shoulders. He looked at
J.A. Konrath, Bernard Schaffer