teeth at all. ‘More please, I’ve finished’ – the bare plate proved it, so he got the pot-scrapings too. Many the race I’ve lost to him thus, being just that second slower. But it left me marked with an ugly scar, a twisted, food-crazed nature, so that still I am calling for whole rice puddings and big pots of stew in the night.
The day was over and we had used it, running errands or prowling the fields. When evening came we returned to the kitchen, back to its smoky comfort, in from the rapidly cooling air to its wrappings of warmth and cooking. We boys came first, scuffling down the bank, singly, like homing crows. Long tongues of shadows licked the curves of the fields and the trees turned plump and still. I had been off to Painswick to pay the rates, running fast through the long wet grass, and now I was back, panting hard, the job finished, with hay seeds stuck to my legs. A plate of blue smoke hung above our chimney, flat in the motionless air, and every stone in the path as I ran down home shook my bones with arriving joy.
We chopped wood for the night and carried it in; dry beech sticks as brittle as candy. The baker came down with a basket of bread slung carelessly over his shoulder. Eight quartern loaves, cottage-size, black-crusted, were handed in at the door. A few crisp flakes of pungent crust still clung to his empty basket, so we scooped them up on our spit-wet fingers and laid them upon our tongues. The twilight gathered, the baker shouted good-night, and whistled his way up the bank. Up in the road his black horse waited, the cart lamps smoking red.
Indoors, our Mother was cooking pancakes, her face aglow from the fire. There was a smell of sharp lemon and salty batter, and a burning hiss of oil. The kitchen was dark and convulsive with shadows, no lights had yet been lit. Flames leapt, subsided, corners woke and died, fires burned in a thousand brasses.
‘Poke around for the matches, dear boy,’ said Mother. ‘Damn me if I know where they got to.’
We lit the candles and set them about, each in its proper order: two on the mantelpiece, one on the piano, and one on a plate in the window. Each candle suspended a ball of light, a luminous fragile glow, which swelled and contracted to the spluttering wick or leaned to the moving air. Their flames pushed weakly against the red of the fire, too tenuous to make much headway, revealing our faces more by casts of darkness than by any clear light they threw.
Next we filled and lit the tall iron lamp and placed it on the table. When the wick had warmed and was drawing properly, we turned it up full strength. The flame in the funnel then sprang alive and rose like a pointed flower, began to sing and shudder and grow more radiant, throwing pools of light on the ceiling. Even so, the kitchen remained mostly in shadow, its walls a voluptuous gloom.
The time had come for my violin practice. I began twanging the strings with relish. Mother was still frying and rolling up pancakes; my brothers lowered their heads and sighed. I propped my music on the mantelpiece and sliced through a Russian Dance while sweet smells of resin mixed with lemon and fat as the dust flew in clouds from my bow. Now and then I got a note just right, and then Mother would throw me a glance. A glance of piercing, anxious encouragement as she side-stepped my swinging arm. Plump in her slippers, one hand to her cheek, her pan beating time in the other, her hair falling down about her ears, mouth working to help out the tune – old and tired though she was, her eyes were a girl’s, and it was for looks such as these that I played.
‘Splendid!’ she cried. ‘Top-hole! Clap-clap! Now give us another, me lad.’
So I slashed away at ‘William Tell’, and when I did that, plates jumped; and Mother skipped gaily around the hearth-rug, and even Tony rocked a bit in his chair.
Meanwhile Jack had cleared some boots from the table, and started his inscrutable homework. Tony, in his