Free Death Sentence by Mikkel Birkegaard Page A

harder than I expected. There is nothing wrong with my memory, but my subconscious tries to manipulate the images that emerge when I add the words. The timing appears slightly better, the dialogue more polished or the mood lighter.
    However, this kind of fraud won’t go unpunished. I feel there is someone in the room with me, hiding in the shadows. A critic looking over my shoulder, constantly aware of the errors I make and upsetting my concentration every time I’m disloyal to the project. Then my body fills with dread, a nervousness that doesn’t cease until I go back and rewrite the chapters where I was insincere, passages where I omitted details or toned down my behaviour.
    It’s not until I have corrected discrepancies and lies that I’m permitted to carry on, even more naked now and in the certain knowledge that it can only get worse.

10
    WHEN I WAS young, I had no intention of getting married. Marriage was an artificial construct that, at worst, was based on religion, i.e. a lie, and at best was a bureaucratic manoeuvre to improve your tax status, i.e. hypocrisy. This was the general attitude among us in the commune and we took every opportunity to voice it. Later, when I got married, it wasn’t for rational reasons – I simply couldn’t help it.
    I remember the months after meeting Line as one long series of revelations. She surprised me again and again with her humorous nature and the convergence of our interests. When we made love it was with an intimacy and intensity I had never experienced before. I couldn’t believe a relationship could be like this. We could talk about everything, and we did; we usually had the same attitude towards political issues, but on the rare occasions we disagreed we could have a debate without the mood turning ugly. We spent practically all our time together, interrupted only by our respective studies and work.
    Line was the youngest of four siblings; she had two sisters and a brother and it soon became clear to me that her family was very close-knit. Rarely a day went by without her being in contact with one of her sisters and at least once a week we’d have dinner with her father. I’d been invited over for dinner after only two weeks, and everyone welcomed me and treated me with the greatest kindness. The family was mourning for the mother, but they still had the generosity to include me in their group. Line’s father, Erik, was an engineer who worked for the government. He designed motorway bridges, an occupation that had also become his hobby. In Erik’s study in the villa on Amager were miniature models of over twenty bridges and he could tell the story of every single one of them – not without a certain amount of pride.
    Line’s sisters were also dancers and resembled her so much that I always felt a little awkward in their company. It was like being with three versions of Line at yearly intervals; I could tell how she would age and that certainly wasn’t bad at all. Her brother had followed in his father’s footsteps and worked as an engineer for a consultancy firm in Lyngby. The first time I met him he had just accepted a posting to Africa where he would build a water purification plant, but he had postponed his departure by a month following the death of his mother.
    I recall get-togethers with Line’s family as relaxed and yet lively and engaging. With so many children, their partners and grandchildren, there was an incredible maelstrom of people, but it never became superficial or meaningless. They accepted without question that I wanted to make my living by writing – something my parents never did – and when Line’s family asked how my work was going, they were referring to my books and not to whatever casual job I happened to be doing at the time.
    Unfortunately I was struggling with the writing and I produced little in the first few months. I only managed some editing of In the Dead Angle and the scathing reviews it received did nothing for my