The Invention of Fire

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Authors: Bruce Holsinger
There is no levity in it, no room for compromise.
    At his own first nibble of this voice, Gil Cheddar answered my question with no trace of the arrogance he had just shown his parish master. “Cleaning tasks, sire, between the day services. Polishing and the like.”
    “I see. And you are now finished for the day?”
    “Nearly so. I’m to finish the burnish on this bell here, then it’s my lot to stow the sacristy items back in the cabinet, get it all locked up securely, with the key returned to Father. Then it’s—” He stopped himself, looking puzzled by the extent of what he had divulged. His narrow lips found what must have been a familiar frown. “You are here to speak with me? Or is it the parson you wish to see?”
    “Oh, I am here for you, Gil, and only you.”
    He shifted his weight. “Whatever for?”
    “As I understand it you spoke rather freely to a hermit in recent days.”
    “A hermit, sire?”
    “A hermit of our mutual acquaintance.” My head tipped back toward the walls. “A fellow who lives out there, above Cripplegate.”
    He took a half step away, his mouth fixed in a line. I followed his gaze as he looked up and out across the top of the screen. From where we stood you could see nothing of the walls or the upper reaches of Cripplegate, though Cheddar seemed to be peering through the layers of wood and stone to that low window where he had spoken to Piers Goodman.
    “I would very much like to learn about your conversation with our unkempt friend, Gil.” I had moved my hand to the purse at my waist. I lifted a coat flap and showed it, though the sight seemed to terrify more than please him. The acolyte glanced toward the vestry, took in the stances of the workers by the altar, assessing the dangers of speaking to this intruder.
    “Not here,” he said quietly. “The coops, outside Guildhall Yard?”
    “I know them,” I said. A line of chicken houses along Basinghall Street, a short walk down from Cripplegate.
    “I should not be long,” he said. “Give me the quarter part of an hour.”
    The vestry door groaned open, the parson returning to the nave to call out an instruction to an unseen subordinate. Hunching slightly, I took a few sidelong steps and ducked through the screen door, then hurried down the aisle and back out onto the porch. The sun had made no further effort to crest the walls, only brushing my face once I entered through Cripplegate and turned left past Brewers’ Hall, nestled just east of the inner gatehouse. I crossed Guildhall Yard and entered Basinghall Street, a narrow, snakelike thoroughfare extending south from the wall to Cheapside, and always bustling with hucksters selling everything from unskinned coneys to silver plate.
    There was city business being transacted out here as well, mayor’s men taking small coin, dispensing false promises in exchange, and above it all rose the shouts of the criers in a sonorous dance of service and enticement.
    “Buy any ink, will ye buy any ink? Buy any very fine writing ink, will ye buy any ink and pens?”
    “Any rats or mice to kill? Have ye any rats or mice to kill in your homes and stables, good London? Rob the Ratsbane, at your service!”
    “White radishes, lettuces, more radishes, two bunches a farthing!”
    “Have ye a sore tooth, an aching gum, an abscess or a bleeder? For know that I am Kindheart the Tooth-Drawer, my good people, with gentle pincers in my hand and opium in my purse.”
    The criers rattled on, their pitches rising to an impossible volume as I passed down the street.
    Then, from the top of the way, the din of a herald’s bell, sharp brassy clangs cutting through the street noise. The sound abated as a tall young man in the royal livery stepped up on a half barrel, looking down at the commons and asking for our silence and attention.
    He was a palace man, recognizable as one of the showy types increasingly favored by King Richard in those years. A rich coat buttonedtightly at his neck, a

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